Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography’s mutual preoccupation with posing, staging, framing, and stillness.
| Artist / Author | Joel Anderson |
|---|---|
| Publisher | Palgrave Macmillan |
| ISBN | 978-0230276710 |
| Reference | P3018 |
| Date | 2015 |
| Type | Publication |
A collection of essays on the artist Pascale Grau with dvd of Single-Channel Videos 1994-2008.
In German and English.
Kindly donated for the Swiss Live Art Study Room Guide.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres. Revised and Enlarged Edition
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
Focusing on a variety of representations, the book stimulates discussions of s/m through the exploration of censorship in the arts, the fetishization of sexual paraphernalia, recombinations of class, race and sexuality, and the politics of psychoanalysis.
Part of the Library of Performing Rights (P3041).
This article gives examples of a number of initiatives by individual writers, artist collectives, and festivals that test forms of critical writing that are as experimental as the practices to which they relate.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.