A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Zine of the project documenting and tracing the Ambedkarite movement in the 1970s.
Draws strength from conversations with the performance artist Ron Athey and readings from Illness as Metaphor, by Susan Sontag.
Please note that Queen Mary University of London holds the entire archive of the late artist.
A romantic exploration performance about love and human relationships.
Please note that Queen Mary University of London holds the entire archive of the late artist.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
A community based Human Rights Education project that uses theatre to engage young people from culturally diverse populations in dialogue about human rights with the Montreal community. Includes promotional material and photos of phases 1 and 2 and evaluation of phase 2.
Part of the Library of Performing Rights (LPR) (P3041).
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
Reading wesistive choreographies through works by Jawole Willa Jo Zollar and Chandralekha.
Part of the Library of Performing Rights (LPR) (P3041).
Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.
A series on Performance and the Creative Transformation of Conflict, describing peacebuilding performances in regions beset by violence and internal conflicts. The first volume emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The historical age of empires may be over, but empire, as an idea, continues to exercise a hold over our imaginations. This examination begins with potential definitions and theories of empire, suggesting how we might think of these two notions together and how we might see empire itself as theatre.
A vibrant introduction to theatre that engages with stories, conditions and experiences of migration.
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?
The book explores what it means to create and experience urban performance – as both an aesthetic and a political practice – in the burgeoning world where cities are built by globalization and neoliberal capital.
Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.
Special Issue; Volume 25, Issue 3.
see outsized materials shelf
Louder Than Bombs, Stanley Picker Gallery. See oversized materials shelf
The story of a man, the milestones in his life journey, and the people and food that influenced his development across continents and in between social and cultural divides.
Festival documentation. 2008
a collection of Chakravarthi's early photographic self-portraits. Mostly unseen and made with low costs and in low conditions, he speaks about them for the first time and reveals how and why these early portraits were created and informed his current artistic practice. In conversation with Andrew Mitchelson, Chakravarthi talks about his early influences and experiences of being raised in India, childhood experiences in London and being an outsider in both cultures. An on-demand dvd, published by Live Art Development Agency, 2009, DVD-PAL, 65 minutes. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
A documentary of the project by Rimini Protokoll. For further documentation see also REF P1215.
A bilingual quarterly magazine published by the Asociación Amigos de ARCO. This issue no. 5.
In Spanish with English translation.
Features excerpts from work done at residencies and workshops at the Khoj Studios.
Rough cut of the movie.
Catalogue accompanying an exhibition presented in two parts at the Queen’s Gallery and Goethe Institute, New Delhi from September to October 2000.
The essential introduction to the most important texts in post-colonial theory and criticism.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).