The preeminent posthumanist shows how the history of Western civilization can be read as a suppression and return of rage.
What is it that makes humans, human? As science and technology challenge the boundaries between life and non-life, between organic and inorganic, this ancient question is more timely than ever.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Review of Jacques Ranciere’s The Emancipated Spectator