A special edition of Substanz featuring work from Performance Reihe Neu-Oerlikon 2020.
In German, Spanish and English.
Kindly donated for the Swiss Live Art Study Room Guide.
Issue No 10 of Substanz featuring work from Encuentro Binacional México/Suiza.
Text in German, Spanish and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue No 9 of Substanz featuring work from Performance Oper-Air St.Gallen 2018.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue No 8 of Substanz featuring the work of Judith Huber.
Text in English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue No 7 of Substanz featuring a conversation with Nieves Correa, Abel Loureda and Maricruz Peñaloza.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue No 6 of Substanz featuring text by Adela Picón and Maricruz Peñaloza.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in Spanish and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue no 5 of Substanz featuring text by Marc Mouci.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue No 4 of Substanz featuring text and drawings by Saskia Edens.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in French and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue No 3 of Substanz featuring text and drawing by Pascal Lamperti.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue No 2 of Substanz featuring the work of Lara Buffard and Lilian Frei.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Issue 1 of Substanz, featuring text and drawings by Gisela Hochuli. This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Photographs of the work of Cécile Feilchenfeldt in collaboration with Elaine Rutishauser.
Text in German.
Kindly donated for the Swiss Live Art Study Room Guide.
A selection of artwork and text by artists Elaine Rutishauser and Klodin Erb.
In German
Kindly donated for the Swiss Live Art Study Room Guide.
A text and selection of images documenting the work of artist Mahtola Wittmer.
In German.
Kindly donated for the Swiss Live Art Study Room Guide.
Leaflet.
Kindly donated for the Swiss Live Art Study Room Guide.
Documentation of exhibition by Katja Schenker.
Kindly donated for the Swiss Live Art Study Room Guide.
Photographic documentation and text.
In German.
Kindly donated for the Swiss Live art Study Room Guide.
A selection of photographs and images by Elaine Rutishauser.
Kindly donated for the Swiss Live Art Study Room Guide.
Music by Les Reines Prochaines.
Kindly donated for the Swiss Live Art Study Room Guide.
Music by Les Reines Prochaines.
Kindly donated for the Swiss Live Art Study Room Guide.
Music by Les Reines Prochaines.
Kindly donated for the Swiss Live Art Study Room Guide.
Single CD with video clips.
Kindly donated for the Swiss Live Art Study Room Guide.
Music by Les Reines Prochaines.
Kindly donated for the Swiss Live Art Study Room Guide.
Limited edition Vinyl 125/250
Music and lyrics by Les Reines Prochaines: Michèle Fuchs, Fränzi Madörin, Muda Mathis, Sus Zwick. Guests: Chris Regn,Andrea Saemann.
Kindly donated for the Swiss Live Art Study Room Guide.
A criminological philosophical cinematographical musical comedy by Nathalie Percillier with the female music band Les Reines Prochaines. The film is made up of cinematic excerpts, stage performances and interviews with the protagonists. A lesbian trash movie, Pulp Fiction meets Dada.
73 minutes, DVD PAL 16:9, DE/EN.
Kindly donated for the Swiss Live Art Study Room Guide.
A documentation of the events and survey of the work of more than 150 performance artists and contributors from France, Ghana, Germany, Great Britain, Mexico, Serbia, Spain, Switzerland, and the United States presented over the years in the festival performance series Neu-Oerlikon (Zurich).
In German and English
Kindly donated for the Swiss Live Art Study Room Guide.
A performance by Alex Cecchetti.
Kindly donated for the Swiss Live Art Study Room Guide.
Catalogue to the festival from 26.06.01-01.07.12 in llsede, Hildesheim, Bad Salzdetfurth, Germany.
Kindly donated for the Swiss Live Art Study Room Guide.
Documentation of the work of artist duo Porte Rouge.
Kindly donated for the Swiss Live Art Study Room Guide.
A publication on the work of Claudia Bucher with texts by Eva Kramis, Heige Meyer, Max Huwyler, Guy André Mayor, Ruedi Schill, Permin Bossart and Adrian Hossli.
In German and English.
Kindly donated for the Swiss Live Art Study Room Guide.
A monograph of the work of artist Doris Stauffer with texts by Doris Stauffer, Michael Hiltbrunner, Kay Turner, Andrea Thal, and Mara Züst.
Kindly donated for the Swiss Live Art Study Room Guide.
A selection of drawings.
Kindly donated for the Swiss Live art Study Room Guide.
Photographic documentation.
Kindly Donated for the Swiss Live Art Study Room Guide.
A monograph dedicated to the work of Lotta Gadola.
In German and English.
Kindly donated for the Swiss Live Art Study Room Guide.
A collection of essays on the artist Pascale Grau with dvd of Single-Channel Videos 1994-2008.
In German and English.
Kindly donated for the Swiss Live Art Study Room Guide.
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.