Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Explores the role of philanthropy in public collections across the UK.
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
During 2016 Blast Theory and Tony White worked with a group of young people in libraries in Telford and Wrekin to re-imagine libraries, story telling and their place in the world. On 29 October 2016, over the course of 9 hours from 3pm to midnight, the young people took control of their local libraries, and performed live to a worldwide audience. This book is a result of that process.
Explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.
Key critical writings by artist and curator Ian White (1971-2013), ranging from reviews and catalogue essays to entries from his blog Lives of Performers.
Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography’s mutual preoccupation with posing, staging, framing, and stillness.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
The first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive.
Video documentation of interactive performance for two audience members set between a street and a second story window.
A survey of director Sally Potter's work documenting and exploring her cinematic development.
Drawing on archival materials and in-depth interviews, Mayer's book opens up historical, political and cultural vistas to give a full account of feminist filmmaker Sally Potter's career.
The Gold Diggers is a key film of early 1980s feminist cinema. Two heroines begin to unravel the truth about the search for gold and the secrets of personal transformation and freedom
Discussion of American avant-garde theatre.
A collection of press material dating mainly between 1995 and 1996.
Collection of documentation, preparatory drawings, scripts, posters, interviews, essays, Polaroids, newspaper clippings and correspondence to provide overview of Valie Export. Works including “Tap and Touch Cinema,” “Action Pants: Genital Panic”, “BODY SIGN ACTION”.
Conversations and projects exploring feminism. Text in both Italian and English.
Based on a performance art opera by artist Mikhail Karikis, this film is a poignant political allegory while being an audiovisual feast constructed around Karikis’s menacing sound, under David Bickerstaff’s direction and arresting cinematography.
Part of the Library of Performing Rights (LPR) (P3041).
Cairon 13 Journal of Dance Research: Practice and Research, Jose A. SanchezVictoria Peres Royo, Bilingual publication in Spanish and English
Catalogue and study on cultural rebellion in Syria. Language: English and Arabic