Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
The first book of its kind to look at the legacy of the avant-garde in relation to the deepening crisis of capitalist non-reproduction.
A a set of reflections and annotations on the eponomous performance and exhibition project by preeminent British sculptor, Bruce McLean.
Stages an encounter between performance and philosophy to investigate notions of the event, ephemerality and democracy that have perpetually marked the engagement of thought and the theatrical.