Booklet of the work of Andrés Galeano, Mart Stam Förderpreis 2011.
This publication presents a web of information: the artist’s own statements- essentially descriptions and photographs of her pieces, comments and an interview- together with contributions from different authors on various aspects of Muda Mathis’ work.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German and English.
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
An idyllic location, a perfect spot, but something just isn’t quite right, something doesn’t fit.
Part of LADA Screens 14. The film was available online 23 August – 6 Spetember 2016 on the LADA Screens Channel.
Pines towards a future vision that surpasses generally accepted structural limitations of the human condition. Part of LADA Screens.
Charts the choppy waters of gut feelings, capturing the flotsam and jetsam of impulse, desire and fights to the death.
Part of LADA Screens 14.
From a new project inspired in equal parts by Japanese Kabuki Theatre, the vocaloid Hatsune Miku and the 1987 film Mannequin.
Documentation from the exhibition at the Cambridge Darkroom, 1990.
Exhibition catalogue. Attenborough Arts Centre, 10th May – 14th July 2019.
Part of the Library of Performing Rights (P3041)
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
Exhibition catalogue: 3 June – 17 July 2004, Hauser & Wirth London
A detailed look at the extensive 14-18 NOW programme, which was set up to bring a creative response to the centenary of the First World War.
Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.
Maps the artistic processes over a nine month period of the making of the art work Not a Decorator..
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
Project publication. Explores possibilities of queer hospice concepts, and what they could mean for their wider surroundings. Reflections on the future correspond sharply with the spaces of their respective residency, the Diakonie, which aids people in very direct questions concerning their present situation.
Part of the Library of Performing Rights (P3041).
A selection of articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
A catalogue that collects, anticipates, and activates the fantastic experiences and happenings of Fusebox 2018.
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
A correspondence between The Victorian Woman and THE MAN. During the summer of 2016, The Victorian Woman traveled on an epic month-long journey to Southeast Asia in an attempt to liberate herself from THE MAN. Their daily correspondence in the form of relief printed and hand-drawn postcards reflects their emotional struggles and curious revelations as they attempt to reconcile the nature of their relationship.
Documents the crisis in American urban housing policies and portrays how artists have fought against government neglect, shortsighted housing policies and unfettered real estate speculation.
Part of the Library of Performing Rights (LPR) (P3041).
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Short video made for the DIY 13 project, a briefly-lived modelling agency set upon depicting the fantasy-fiction average lifestyle that is celebrated in corporate imagery
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
Published on the occasion of the exhibition at the Hammer Museum, LA. 15 September – 31 December 2017.
Article about the Philippine visual art.
In misc folder 7.
A performance for video, shot in one take; features the artist being cut out of a corset by her mother.
4mins/silent/single play or loop/4:3
Part of the Library of Performing Rights (LPR) (P3041).
A virtual platform on which shares of companies dealing with problems are floated.
Part of the Library of Performing Rights (LPR) (P3041).
Despite the problematic politics of cultural exchange in the theatre, interculturalism is not a one-sided process. Using the metaphor of the hourglass to discuss the transfer between source and target culture, Pavis asks what happens when the hourglass is turned upside down, when the `foreign’ culture speaks for itself.
Part of the Library of Performing Rights (LPR) (P3041).
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Documentation from the project by Zoë Gingell and Eve Dent; includes exhibition programme, blog posts, and The Guardian review.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
An in-depth research on the theme of borders and motherhood.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
This performance project explored infertility and Assisted Reproduction Technologies (A.R.T) across the gender, sexuality, ethnic and reproductive experiences within the company.
2001-2003
This provocative event slips between testimony and reflection, emotion and medicine, flesh and technology to contemplate our abiding fascination with what lies under our skin.
2007; 25:23
Includes:
Dual performance to Skype camera
Blood, 2013 (1:47); Block, 2013 (1:48); Lançar- to throw 2013 (0:39); Alinhar – to Align, 2013 (0:58); Cloud try 3, 2013 (0:51); Red line, 2015 (0:50); A short story, 2015 (1:04); Annunciation 1 & 2, 2015 (2:08)
Dual performance to the camera
Skull-line, cranial suture, 2014 (0:46); Measuring the room, 2014 (1:27); Tables, 2015 (2:05); To do with you, 2016 (2:20); Push, 2011 (1:25); Dictionario (excerpt), 2011; And –And, 2016 (3:44)
Part of the 2010-2013 series; made between Montréal & Drummondville.
3:43
One-to-one promenade performance that spread across unused spaces in The Arches, a multi-use performance space in Glasgow. Howells led participants in a journey through fourteen sites and 'confessed' to them an autobiography.
Arches Live, 2007.
68 minutes.
Exhibition catalogue. 18 September – 12 October 2014. Curated by Clemens Poole.
In Ukranian and English.
A curated program of temporary public art installations throughout the city of Kyiv, challenging artists and viewers to creatively address the changing physical, emotional, and social concepts of occupation.
The first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years.
This book and the exhibition launched with it represent a powerful exploration in both image and text of the impact of the AIDS crisis. Different voices reveal the profound inadequacies in our attitudes to disease.