Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
Focusing on a variety of representations, the book stimulates discussions of s/m through the exploration of censorship in the arts, the fetishization of sexual paraphernalia, recombinations of class, race and sexuality, and the politics of psychoanalysis.
Part of the Library of Performing Rights (P3041).
A sweeping account of the way lesbian, gay, and bisexual people have challenged and changed society.
Dissects the network of household, kinship and sexual relations that constitute the family form in advanced capitalist societies to show how they reinforce conditions of inequality.
Offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
Arguing that traditional feminism is wrong to look to a natural, ‘essential’ notion of the female, or indeed of sex or gender, Butler starts by questioning the category ‘woman’ and continues in this vein with examinations of ‘the masculine’ and ‘the feminine’.
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
Groys explores art in the age of the thingless medium, the internet. He claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art.
A feminist investigation into the marginalization of women within western discourse that denies female moral agency and embodiment.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates.
Exploring the potential of archiving, cataloguing and preservation in establishing new sites of feminist storytelling and political activism.
Interrogates the emergence of a new kind of participatory theatre.
A short essay on curating and philosophy.
Contributions from Gabriella Giannachi, Duncan Rowland, Steve Benford, Jonathan Foster, Matt Adams & Alan Chamberain
Examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment.
Part of the Library of Performing Rights (LPR) (P3041).
Argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism.