Seeking to overthrow all constraints on what can be done with and to the body, Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire.
Considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968, Solanas’ text is reconsidered in Avital Ronell’s introduction, “Deviant Payback: The Aims of Valerie Solanas”.
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.
Offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting.
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
MA Performance Thesis, 2016.
The collection explores repetition in relation to intimacy, laughter, technology, familiarity, and fear proposing a new vocabulary for understanding what is at stake in works that repeat.
A feminist investigation into the marginalization of women within western discourse that denies female moral agency and embodiment.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
This text addresses demonstrates ways in which animals transform theatre’s capacity to make meaning, and suggests they expose theatre’s negotiations with wider ethical, social and economic questions.