The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
Charts the journey of the 2008 Liverpool Biennial, its artists, and the reactions. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Publication to coincide with Life, Once More exhibition about reenactments of performances, 2005, Rotterdam