A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Genesis has selected h/er unseen and personal photographs to illustrate h/er journey of life as continuous creativity.
Limited edition; 352 / 1323. In glass cabinet.
Carolee Schneemann in conversation with Bonnie Marranca and Claire MacDonald
The “Artists' Book” of the post-war period: a unique collaborative work by four artists associated with various avant-garde art movements, including Fluxus and Nouveau Réalisme.
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden.
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
Crisis of Representation and Destruction in the Arts from the 1950s to the End of the Century.
Catalogue of an exhibition held June 17 to August 20, 2000 at the Palazzo Bonaguro, Bassano del Grappa
In English and Italian.
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
Named after her renowned exhibition at London's Lisson gallery in 1967, this volume features Ono's most important works. It also includes photographs of Ono surrounded by her art, her billboards, “instructions,” letters, invitations to her performances, and exhibition posters.
Published on the occasion of exhibitions at Schirn Kunstahlle Frankfurt (February-May 2013), Louisiana Museum of Modern Art, Humlebaek (June-September 2013) and Guggenheim Museum Bilbao (March-September 2014)
Kaprow's sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings.
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
This book brings to light the historical significance of five women artists – Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota, who were among the first Japanese women to leave their country – and its male-dominated, conservative art world – to explore the artistic possibilities in New York.
Sheren explores performance art and politics on the US Frontera since 1984. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.
The most thorough visual overview of Schneemann’s work to date. Organized by five interrelated categories—Interviews and Correspondence, Painting, Cinema, Sites, and Technological Processes—this volume brings together previously published essays and interviews by authorities on the artist’s work.
Rodenbeck offers a rigorous art historical reading of Kaprow's project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art's participatory strategies.
This book draws a vibrant portrait of the artists and performers who gave the 1963 Village its exhilarating force, the avant-garde whose interweaving of public and private life, work and play, art and ordinary experience, began a wholesale reworking of the social and cultural fabric of America.
Book published to accompany the 2004 exhibition of the same name
Artists included: Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alighiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino de Dominicis, Ger van Elk, Barry Flanagan, Hamish Fulton, Gilbert and George, Michael Heizer, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Ruckriem, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Keith Sonnier, Franz Erhard, Walther, Lawrence Weiner, Gilberto Zorio
A comprehensive bibliography of writings on 'Action Art' in the twentieth century.
A historical introduction to the life and art of Joseph Beuys.
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
DVD featuring documentation of Allan Kaprow’s happenings in the 1960s.
Collection of archive footage includes concert excerpts and interviews. DVD.
Interviews and scholarship.
Explosion! Painting as Action encompasses an array of approaches to looking at the borderland between painting and performance, covering a whole range of playful experiments to aggressive risk-taking. Published on the occasion of the exhibition of the same name at Moderna Museet, Stockholm, in 2012.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Video, English spoken with German subtitles, recorded 2003 in New York City, published 2008, duration 52 minutes.Accompanying booklet REF. P1232. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.
Booklet in German and English Accompanying dvd REF. D1144. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.
Catalogue published on the occasion of the homonymous exhibition at the San Francisco Museum of Modern Art on view 8 November 2008 – 8 February 2009.
Excerpts from eight projects: Walking After Acconci (Redirected Approaches) 2005, Kiss My Nauman 2007, Walk With Nauman (Re-Performance Corridor) 2006, Re-Learning Piece 2008, Silent Sound 2006, Precious Little Series 2001-2007, File under Sacred Music 2003, Nick Cave and The Bad Seeds music video 2007-2009.
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793)
Survey of the works of Joseph Beuys. This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Collection of seminal essays, interviews and performance texts by and about Happenings and Fluxus artists. Includes the 1965 Happenings issue of TDR (The Drama Review) edited by Michael Kirby. This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Survey of key work by artists who have used their own body to create their art, from the 1940s to the 1990s. With introductory essays by Tracey Warr and Amelia Jones. Includes biographical information on contributors. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)