Catalogue > By Keyword > Mary Paterson

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The Live Art Almanac Vol. 5

Reference: P3977 | ISBN: 978-1-9164243-4-0

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.

Part of Library of Performing Rights (P3041).

How We Talk About The Work Is The Work Performing critical writing

Author: Theron Schmidt | Reference: A0835

This article gives examples of a number of initiatives by individual writers, artist collectives, and festivals that test forms of critical writing that are as experimental as the practices to which they relate.

PRAXIS Vol 1: Of People, Place & Time

Reference: P3166 | ISBN: 978-0-9935611-1-5

Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.

Motherhood and Live Art

Reference: A0647

Report from the event held on Friday 29 January 2016.

This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.

In misc folder 5A.

Labour Practices

Author: Mary Paterson | Digital Reference: EF5096

Documentation of the event as part of the programme of the At Your Service exhibition at The David Roberts Art Foundation looking at the ways in which artists use ideas of service and labour as creative strategies, and considered the ethics of recruiting the labour of others in works of art.

The Live Art Almanac: Volume 3

Reference: P2250 | ISBN: 9781849433969

A collection of ‘found' writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011

Dear Stranger, I Love You: the ethics of community in Rajni Shah Projects’ Glorious

Author: Rajni Shah Projects | Reference: P2117 | ISBN: 978-1-86220-306-8

This publication brings together four ways of looking at Glorious (Shah's project, started in 2009 which was rebuilt in each new place that was visited, together with some of the people met during that time), and includes: a short film made in response to six performances of the show; a music video shot in and around Lancaster and Morecambe; a critical overview of the process behind two iterations of the project; and The Glorious Storybook, a collection of essays and images from throughout the process.

Part of the Library of Performing Rights (LPR) (P3041).

(W)reading Performance Writing : A Study Room Guide (2010) by Rachel Lois Clapham

Author: Rachel Lois Clapham | Reference: P1433

In (W)reading Performance Writing writer and Co-Director of Open Dialogues Rachel Lois Clapham has assembled twenty practitioners from diverse fields of poetry, theatre, visual art and performance on the topic of Performance Writing. This unique guide comprises of syllabuses, manifestos, scores, personal testimonies and practical exercises, many drawn from resources available in the Live Art Development Agency study room.

Dinner With America - Essays, Films, Images and Conversations

Author: Rajni Shah | Reference: P1318 | ISBN: 978-1-907055-00-3

PLEASE NOTE: Accompanying dvd D1255

Labour Practices

Author: Mary Paterson | Reference: P1273

paper written by Mary Paterson, presented at the event as part of the programme of the At Your Service exhibition at The David Roberts Art Foundation – also look at D1194, documentation of the event

Labour Practices

Author: Various | Reference: D1194

documentation of the event as part of the programme of the At Your Service exhibition at The David Roberts Art Foundation – also look at P1273 for the paper written by Mary Paterson and presented at the event