Documentation of the event marking the end of Restock, Reflect, Rethink Four, a project about Live Art and Cultural Privilege.
Feminist science fiction that anticipates a post-patriarchal future.
A heady brew of feminist critique of the art world and extreme body horror.
Nine minute video of the performance.
A document showing ways to prevent sexual violence and support survivors of sexual abuse.
Reflections, stories, experiences, critiques, and ideas on community and collective response to sexual violence, abuse, and accountability.
Zine on rape culture in the anarchist milieu.
Zine of the project documenting and tracing the Ambedkarite movement in the 1970s.
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.
In Spanish.
Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.
Part of the Library of Performing Rights (P3041).
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation.
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).
After someone threw a burger at them and shouted a transphobic slur, performance artist Travis Alabanza became obsessed with burgers.
Part of Library of Performing Rights (P3041).
The audience is divided. Those who can afford it are escorted to their private viewing area, to be served champagne and smoked salmon throughout the show. The rest risk the edges of the performance space, clad only in black lingerie. In the glass cabinet.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
It examines the 'performance of extremity' as practices at the limits of the histories of performance and art, in performance art's most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.
Part of the Library of Performing Rights (P3041)
Do you have to think that prostitution is good to support sex worker rights? How do sex worker rights fit with feminist and anti-capitalist politics? Is criminalising clients progressive – and can the police deliver justice?
Examining a range of performances from the 1960s to the present, as well as protest actions from the lunch counter sit-ins of the US civil rights movement to protest camps in the twenty-first century, this book provides a formal account of endurance and illuminates its ethical and political significance.
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
Peformance video: The Yard Theatre, London, January 2018 (1hr)
For a digital copy see EF5286.
The final anthology in the trilogy looking at contemporary queer lives.
Examines an array of issues, including sex as a subversive activity, the “liberated orgasm,” sex advice literature, gender uncertainties, queer politics, anti-pornography campaigns and the rise of the moral right.
At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth. The publication presents transcripts of these tapes, documenting the artist's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.
Part of the Library of Performing Rights (P3041)
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden.
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
A unique insight into the relationship between Abramovic's biography and artistic work.
Is dance an appropriate medium for political debate?
The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.
Part of the Library of Performing Rights (LPR) (P3041).
A union using violence as a language to express affection.
A one hour reading of testimonies from the survivors of the armed conflict in Guatemala.
Part of the Library of Performing Rights (LPR) (P3041).
Guatemalan artist carvs the letters P-E-R-R-A (bitch) into her thigh, the same word carved onto the many victims of her country’s feminicide crisis.
Part of the Library of Performing Rights (LPR) (P3041).
Te documentary follows a four-day AfroReggae project in Hackney Free and Parochial School, culminating in a live performance at Amnesty International. Footage from the streets of Rio and London.
Part of the Library of Performing Rights (LPR) (P3041).
Discusses outcomes of the author's curatorial and research project Fear and Gender in Public Space.
Links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic, religious discourse in the United States
Documentation from a full-length dance-theatre piece created in collaboration with Biño Sauitzvy.
Directed by Judy Jacobs.
10'25''
A five-minute performance piece mixing movement and lipsynching.
Directed by Sam Williams.
6'15''
The addresses the nonhuman bodies of Café Müller and claim that Bausch’s piece resonates with the work of contemporary philosopher Graham Harman, in that it tries to go beyond human exceptionalism to present a world where all bodies, regardless of their perceived nature, are simultaneously tightly enmeshed together and inaccessible to one another.
A disturbingly beautiful freak show, a queer menagerie of carnivalesque contortion and florid fantasy.
Directed by Sam Williams.
23'09''
The book looks at theatre and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. Includes interviews with artists, short play extracts, and photographs.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Nicolae, himself a Romanian Roma, gives voice to the Roma cause, offering a precise and candid look at their current situation.
Part of the Study Room Guide on Live Art and Displacement (P3107).