Catalogue > By Keyword > feminist art

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(Untitled) Dyketactics Revisted

Author: Liz Rosenfeld | Digital Reference: EF5387

Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.

7 mins

Dyketactics

Author: Barbara Hammer | Digital Reference: EF5385

A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.

4 mins.

Kira O’Reilly: Untitled (Bodies)

Reference: P3415 | ISBN: 978-1-78320-832-6

The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.

The Kollwitz Konnection

Author: Jean Owens Schaefer | Reference: A0870

On Kollwitz's reception in America, 1900-1960

Liquid damage on publication.

You Don’t Have to Have a Penis to be a Genius

Author: Suzi Gablik | Reference: A0869

An interview with The Guerrilla Girls. Liquid damage on publication.

Part of The Library of Performing Rights (P3041).

Where Women Dare to Thread?

Author: Val Williams | Reference: A0868

On female photographers who photograph men.

Liquid damage on publication.

The presence of absence: Beyond the “great goddess” in Ana Mendieta’s Silueta Series

Author: Ellen Tepfer | Reference: A0880

On Mendieta's late 70s series, in which the artist trekked into the woods and marked the outlines of her body agains the earth.

Chit Chat in the New World

Author: Caroline Smith | Reference: A0871

An interview with women at the forefront of art and technology.

Liquid damage on publication.

Of Other Spaces - Where Does Gesture Become Event?

Reference: P4008 | ISBN: 9783956793783

Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.

Part of Library of Performing Rights (P3041).

In the Beginning is Drawing

Author: Bonnie Marranca and Claire MacDonald | Reference: A0850

Carolee Schneemann in conversation with Bonnie Marranca and Claire MacDonald

Rocio Boliver collection

Author: Rocio Boliver | Digital Reference: EF5294

Includes a document with translations and the following performances:

1. En un fist fast
2. La caida del ser 
3. Vigilia sex 
4. Varios perfos expo
5. De docta ignor lombrices 
6.  De docta ignor desentarrarme 
7.  Pepafono 3 versiones 
8. Ponme la mano aquí macorina 
9. Sea anemone and the hermit crab  
10. Embajadora de la buena voluntad 
11. ¡Ah no!  
12. Violence and tenderness 
13. Cagandola a diestra y siniestra
14. Sweet sixteen
15. Times goes by and I can not forget you

Ulrike Rosenbach catalogue

Author: Claudia Lupri | Reference: P3961 | ISBN: 978-0921972020

Catalogue published in conjunction with an exhibition at the Art Gallery of York University, September 6 – October 1, 1989.

Acts of Passion: Sexuality, Gender, and Performance

Reference: P3953 | ISBN: 978-1560231080

Draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.

Part of Library of Performing Rights (P3041).

Pascale Grau. Rollenwechsel

Reference: P3970 | ISBN: 978-3941185647

Publication focuses on Grau's practice, and specifically videos created between 1994-2008.

In German and English.

Kathy Acker: The Last Interview and other conversations

Reference: P3919 | ISBN: 978-1612197319

From Acker's earliest interviews–filled with playful, evasive, and counter-intuitive responses–to the last interview before her death where she reflects on the state of American literature, these interviews capture the writer at her funny and surprising best.

SCUM Manifesto

Author: Valerie Solanas | Reference: P3746 | ISBN: 9781859845530

Considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968, Solanas' text is reconsidered in Avital Ronell's introduction, “Deviant Payback: The Aims of Valerie Solanas”.

Kembra Pfahler: Beautalism

Author: Kathy Grayson, Kembra Pfahler | Reference: P3733 | ISBN: 978-0981577135

Cataloguing Pfahler's recent projects for the 2008 Whitney Biennial, the volume also features her most notorious body-art performances and pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath.

Blood Counts

Digital Reference: EF5288

A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:

Janez Janša: Ron’s Story (5 minutes, 2001)

Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)

Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes),  La
Sangre del Cerdo (2016, 8 minutes)

Franko B: I Miss You! (2003, 2 minutes)

Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)

jamie lewis hadley: this rose made of leather (2012, 10 minutes)

Kira O’Reilly: Wet Cup (2000, 3 minutes)

Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)

La Ribot: Another Bloody Mary (2000, 10 minutes)

Rocio Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)

Carolee’s

Reference: P3614

The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann

Sweet and Sour and Super-t-Art

Author: Emily Elizabeth Goodman | Reference: A0828

Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance ­Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit

Empowered Expression from Bausch and De Keersmaeker

Author: Janet Adshead-Lansdale | Reference: A0816

On Das Stück mit dem Schiff and Amor constante mas alla de la muerte.

Eleanor Antin: Real Time Streaming catalogue

Reference: P3514 | ISBN: 0902683527

Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001),  Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).

Women, the arts and globalization

Reference: P3532 | ISBN: 978-0719096716

The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization.

Complicating Authorship : Contemporary artists’ names

Author: Nicola McCartney | Reference: A0774

Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.

“I’m Still Coming” Coming to Power 2016 & 1993

Reference: P3521 | ISBN: 9780997444636

A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.

Part of the Library of Performing Rights (LPR) (P3041).

The Power of Feminist Art: The American Movement of the 1970S, History and Impact

Reference: P3510 | ISBN: 0-8109-3732-8

Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.

Part of the Library of Performing Rights (LPR) (P3041).

Sarah Lucas: Au Naturel

Author: Amna Malik | Reference: P3489 | ISBN: 978-1846380549

Does art have a sex? A study of Lucas's famous assemblage of objects that suggest male and female body parts.

Shadowing Josephine

Author: Jade Montserrat | Digital Reference: EF5273

A anguage, a tool to articulate a series of ideas: how outrage and prejudices can be performed; perceptions of the savage and barbaric heathens; tribal nuances and thinking about the Paris of the 1920s as a site of inequality; the spate of negrophilia there; how a change of circumstance for women was reinforced by the war; cultural diversity and tolerance; exoticism and anti-colonial; therefore, transgressive behaviours.

Grey Matters

Author: Sexcentenary | Digital Reference: EF5265

Documentation from the DIY13 project: a collective process of devising and then performing a public action, over the course of a weekend.

 

Part of the Library of Performing Rights (LPR) (P3041).

Himenoplastia

Author: Regina José Galindo | Digital Reference: EF5279

A surgery reinstates the hymen.

En un Fist Fast

Author: La Congelada de Uva | Digital Reference: EF5281

Abjection builds awareness of post-porn power, which breaks away from the outdated distinction between eroticism and pornography.

Hermana

Author: Regina José Galindo | Digital Reference: EF5278

The artist's body is spit on and punished by an indigenous Guatemalan woman.
Part of the Library of Performing Rights (LPR) (P3041)

La verdad

Author: Regina José Galindo | Digital Reference: EF5277

A one hour reading of testimonies from the survivors of the armed conflict in Guatemala.

Part of the Library of Performing Rights (LPR) (P3041).
 

Perra

Author: Regina José Galindo | Digital Reference: EF5274

Guatemalan artist carvs the letters P-E-R-R-A (bitch) into her thigh, the same word carved onto the many victims of her country’s feminicide crisis.

Part of the Library of Performing Rights (LPR) (P3041).

Shifting Angle

Reference: P3359 | ISBN: 978-981-07-4502-8

Publication accompanying a multi-layered interactive performance for self-reflection on the issue of female gender, for “The Gender Under Reflection” at New Zero Art Space, Yangon, Myanmar, 22-26 September 2012.

Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).

undisclosed territory #9

Author: Studio Plesungan | Reference: P3340

Documenting the event which invited 19 female performance artists from 10 countries to engage with performance art workshops, open lectures and a presentation of performances.

Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).

Corset Cut

Author: Clare Thornton | Reference: D2280

A performance for video, shot in one take; features the artist being cut out of a corset by her mother.

4mins/silent/single play or loop/4:3

Part of the Library of Performing Rights (LPR) (P3041).

Creating Ourselves: Works from the ISelf Collection

Reference: P3323 | ISBN: 978-0854882571

From Surrealist selfies to feminist self-portraiture, the ISelf Collection explores identity and the human condition through the central themes of birth, death, sexuality, love, pain and joy. Taking the display of the collection at Whitechapel Gallery as its springboard, this book looks generally at the question of the self in modern and contemporary art, and the ways in which artists are thinking about being and identity as an individual, in relation to others, to society and the wider world.