The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
*currently unavailable*
Takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
This publication takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A stimulated debate on notions of trust and dialogue and their interrelations