Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
Divided into two parts, `In the World’ and `In the Room’, the book presents a rounded picture of the possibilities of a `disobedient’ culture and includes many games and exercises for creative practitioners.
Presents a combined analysis and workbook to examine “socially engaged performance.” It offers a range of key practical approaches, exercises, and principles for using performance to engage in a variety of social and artistic projects.
Social Movement of the Body: a series of laboratories in collaboration with Latin American universities.
Includes separate artist CV, portfolio and press clippings.
Short clips. 3:44
In this invitation to reflect on the power of performance, Diana Taylor explores many of the ‘performance’ uses and iterations: artistic, economic, sexual, political, and technological performance; the performance of everyday life; and the gendered, sexed, and racialized performance of bodies. Images and texts interact to show how performance is at once a creative act, a means to comprehend power, a method of transmitting memory and identity, and a way of understanding the world.
Interrogates the emergence of a new kind of participatory theatre.
Richard Drain, Twentieth Century Theatre: A Sourcebook, performance studies, featuring performance texts and critical essays from a range of sources.
An anthology from High Performance Magazine 1978 – 1998.
Survey of projects commissioned by Artangel from 1985 to 2002. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
A Study Room Guide on eating and dining as explored in performance
Oreet Ashery, Larissa Sansour Ashery, Paul Wolf, Melissa Wolf