A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Collects some of the most exciting, provocative, and moving solo performances on animals, grounded by commentaries that help put these engaging works in a larger context.
Theoretical and creative interventions into the presence of the animal and ideas of animality in performance.
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
Performance texts and documentation from queer solo performances.
Choreography by Stormy Brandenburger, Costumes by Susan Young, sets and lighting by Joni Wong. Originally produced for the Velseka Festival, PS122, 1987
Charts the history of this American culture war through detailed analysis of the work of artists who fought on the front lines, often finding themselves personally vilified.