Catalogue > By Keyword > Holly Hughes
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Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Acting Out: Feminist Performances
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Animal Acts: Performing Species Today
Collects some of the most exciting, provocative, and moving solo performances on animals, grounded by commentaries that help put these engaging works in a larger context.
Performing Animality: Animals in Performance Practice
Theoretical and creative interventions into the presence of the animal and ideas of animality in performance.
Study Room Guide / LADA Anthology: I Wasn’t There
Out From Under: Texts by Women Performance Artists
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
O Solo Homo: The New Queer Performance
Performance texts and documentation from queer solo performances.
Split Britches DVD Library: Vol. 5. Dress Suits to Hire
Choreography by Stormy Brandenburger, Costumes by Susan Young, sets and lighting by Joni Wong. Originally produced for the Velseka Festival, PS122, 1987
Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art
Charts the history of this American culture war through detailed analysis of the work of artists who fought on the front lines, often finding themselves personally vilified.
On Edge: Performance at the End of the Twentieth Century
Brings together Carr’s writings to offer a detailed and insightful history of performance from the late 70s to today.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
