Catalogue > By Keyword > Mike Pearson

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The Twenty-First Century Performance Reader

Reference: P4028 | ISBN: 978-1138785342

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

PLAYING UP: A Live Art Game for Kids and Adults (second edition)

Author: Sibylle Peters | Reference: P3999 | ISBN: 978-0-9935611-0-8

Second edition of the artwork exploring the potential of Live Art to bridge generations.

PLAYING UP: A Live Art Game for Kids and Adults (German)

Author: Sibylle Peters | Reference: P3275 | ISBN: 978-3-000566196

Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.

PLAYING UP: A Live Art Game for Kids and Adults

Author: Sibylle Peters | Reference: P3274 | ISBN: 978-0-9935611-0-8

Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.

Performing Site-Specific Theatre: Politics, Place, Practice

Reference: P2401

'Performing Site-Specific Theatre turns a critical eye to the form of site-specific theatre, investigating the nature of the relationship between 'site' and 'performance'. Contributors: Joanne Thompkins, Anna Birch, Michael McKinnie, Susan Bennett, Julie Sanders, Jane Collins, John Webster, Mike Pearson, Kathleen Irwin, Susan Haedicke, Lesley Ferris, Louise Owen, Keren Zaiontz, Bruce Barton, Richard Windeyer, Helen Iball, Sophie Nield

The Connected Body?

Reference: P1311 | ISBN: 90-71681-03-3

Amsterdam readings on the Arts and Arts Education. Drawing on contemporary practice and scholarship in the fields of dance, performance and installation art, theatre/archaeology, ethnography, holistic bodywork and the history of medicine, the collection provides insights into the body as a problematic site of performance and suggests a ‘new authenticity' which equates both its phenomenological and representational aspects. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249).