Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard.
A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists' manifesto-like events, the Dadaists' cabarets, and later “happenings” and “spectacles.”
On development of Cunningham's practice.
Discusses performativity of the name in the context of an artistic endeavour.
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
Elaborates a new perspective on performance that links ecology and aesthetics.
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
A collection of essays from the leading avant-garde critic of the era focuses on individual performances and performers, providing a unique critical record of their work and of the movement.
Collection of essays on art and anarchism.
Part of the Library of Performing Rights (LPR) (P3041).
A polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it.
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
Documents the artist’s two-year (2015-2017) experimental site-specific art project. The project involved Chen’s visits to 168 locations set out as squares on a Google map of Greater London, and used the city as a stage and open space for the execution of Chen’s experiments.
Kaprow’s sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
In misc. folder 6.
This book brings to light the historical significance of five women artists – Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota, who were among the first Japanese women to leave their country – and its male-dominated, conservative art world – to explore the artistic possibilities in New York.
Rodenbeck offers a rigorous art historical reading of Kaprow's project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art's participatory strategies.
This book draws a vibrant portrait of the artists and performers who gave the 1963 Village its exhilarating force, the avant-garde whose interweaving of public and private life, work and play, art and ordinary experience, began a wholesale reworking of the social and cultural fabric of America.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
Poses questions over the nature of action, identity and the self in the relationship with media forms.
A look at the radical, experimental dance presented during the early 1960s at Judson Memorial Church in downtown Manhattan.
Discussion of American avant-garde theatre.
Documents of Contemporary Art series.
Essays on philosophical and aesthetic perspectives on painting, photography, music, architecture, performance and cinema.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Catalogue published on the occasion of the homonymous exhibition at the San Francisco Museum of Modern Art on view 8 November 2008 – 8 February 2009.
This item is referenced in the Dreams for an Institution Guide (P2313).
Collection of seminal essays, interviews and performance texts by and about Happenings and Fluxus artists. Includes the 1965 Happenings issue of TDR (The Drama Review) edited by Michael Kirby. This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).