First print issue of the journal published by a collective for thinking gay communism together.
Part of the Library of Performing Rights (P3041).
Tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation.
Part of the Library of Performing Rights (P3041).
An exploration into the utopias and dystopias that could develop from present society.
An account of Angela Davis’s incarceration and the struggles surrounding it, but also perhaps the most comprehensive and thorough analysis of the prison system of the United State.
Interview with Jacques Rancière.
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
Papers from the conference, held in Glasgow in December 1990. The conference addressed the implications for the arts of the political and economic changes in Eastern Europe.
Exhibition catalogue; Saatchi Gallery, 16 November – 31 December 2017.
Part of the Library of Performing Rights (LPR) (P3041).
nitially galvanized by the sweeping obliteration of architecture and art under the Communist regimes of the Soviet Union and eastern bloc countries, Gamboni investigates other instances of destroyed art and architecture around the globe, uncovering a disquieting and surprisingly widespread phenomenon.
Programme for the evening of green, monstrous, post-human drag performance.
This memoir spans Abramovic's five decade career, and tells a life story that is almost as exhilarating and extraordinary as her groundbreaking performance art.
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A radical theorization of a particular (Eastern European) position / repoliticization, this book offers a very detailed inquiry into specific Post-Socialist art and media strategies.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Groys explores art in the age of the thingless medium, the internet. He claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art.
The book presents over 100 covers of The Communist Manifesto, compiled from the Museum of Ordure’s collection. The launch included a sound performance by the Curator and Acting Director of the Museum of Ordure, R Y Sirb.
Generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, this book presents a rich variety of articles, leaflets, graffiti and internal documents, ranging from early experiments in “psychogeography” to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution and other crises and upheavals of the sixties.
Arendt provides a historical account of the forces that crystallized into totalitarianism. The ebb and flow of nineteenth-century anti-Semitism (she deemed the Dreyfus Affair a dress rehearsal for the Final Solution) and the rise of European imperialism, accompanied by the invention of racism as the only possible rationalization for it.
A book of case studies of performance art in Eastern Europe.
Passionate Amateurs argues that theatre in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theatre is undertaken within capitalism, but motivated by a love that desires something different.
Professional writers, artists and cultural critics from around the world offer their views on the issue of the artist’s responsibility to society. Contributors: Page duBois, Ewa Kuryluk, Kathy Acker, Elizam Escobar, Martha Rosler, Eva Hauser,Coco Fusco, Carol Becker, Felipe Ehrenberg, Njabulo S. Ndebele, Michael Eric Dyson, Salman Rushdie / Ahmad Sadri, Henry A. Giroux, Guillermo Gomez-Pena and B. Ruby Rich
Reflects on the exchange which took place in November/December 2010 at co-production house brut in Vienna. The artists worked for ten days as duo teams on site-specific performance projects which were presented in a two-day programme all over the brut venue in Vienna’s Künstlerhaus. In English and Russian.
A performance script based on the life stories of Cambodian artists who survived the Khmer Rouge Regime.
Work in Progress. Arolfini, Bristol. November 2010.
Includes essays on eighty artists from fourteen countries and discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In English and Slovenian. Published for the exhibition at the Museum of Modern Art in Ljubljana.
Part of the Library of Performing Rights (LPR) (P3041).
Zhu Yu’s xingwei yishu (behaviour art) and his controversial art actions reflect and critique the economic transition in China, and his performances become part of the “violent capital” of the new aesthetic economy.
Find article (2 copies) in misc. folder 1. This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
From the Subversive Affirmation edition. In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).