Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
This volume, which originally appeared as a special issue of The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives.
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)
Captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
This collection of writings by the author of Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures.
Interview with Jacques Rancière.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.