Catalogue > By Keyword > digital

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Archives of the Ephemeral

Author: Pascale Grau, Margarit von Büren, Olivia Jaques, Tabea Lurk, Valerian Maly, Julia Wolf | Reference: P4121 | Type: Publication

Publication about the project which brought questions of archiving performance art to a broader public. In German and English.

Video/Art: The First Fifty Years

Author: Barbara London | Reference: P4109 | ISBN: 978-0714877594 | Type: Publication

The curator who founded MoMA’s video program recounts the artists and events that defined the medium.

 

Chit Chat in the New World

Author: Caroline Smith | Reference: A0871 | Type: Article

An interview with women at the forefront of art and technology.

Liquid damage on publication.

Xenofeminism

Author: Helen Hester | Reference: P3759 | ISBN: 978-1509520626 | Type: Publication

Develops a three–part definition of xenofeminism grounded in the ideas of technomaterialism, anti–naturalism, and gender abolitionism. 

A.Bandit: A Secret Has Two Faces

Editor: Jane Hyun | Reference: P3686 | ISBN: 978-3791355641 | Type: Publication

The latest collaboration between Glenn Kaino and Derek DelGaudio, who work together as the conceptual performance art duo A.Bandit to make magical art. 

Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice

Author: Nicola Shaughnessy | Reference: P3535 | ISBN: 978-1349317059 | Type: Publication

Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.

This Vile Display

Author: Jon McKenzie | Reference: D2269 | Type: DVD

Experimental video essay.

Part of the Library of Performing Rights (LPR) (P3041).

Obfuscation: A User’s Guide for Privacy and Protest

Author: Finn Brunton, Helen Nissenbaum | Reference: P3265 | ISBN: 978-0262029735 | Type: Publication

Authors offer ways to fight today's pervasive digital surveillance — the collection of our data by governments, corporations, advertisers, and hackers. To the toolkit of privacy protecting techniques and projects, they propose adding obfuscation: the deliberate use of ambiguous, confusing, or misleading information to interfere with surveillance and data collection projects.

Towards a Poiesis of Critical Practice: 1000th LIVE and the politics of appearance

Author: Diana Damian Martin | Editor: Ric Allsopp and Kristen Kreider | Reference: A0724 | Type: Article

On the process and politics of live critical responses to a live stream of Forced Entertainment's And on a Thousandth Night. 

My Neck Of The Woods

Author: Blast Theory | Reference: D2238 | Type: DVD

A live documentary made in collaboration with a group of young people, set on the streets of Manchester. To take part you go online and choose from 3 people's streams. 

GLASS BODY

Author: Anna Furse | Digital Reference: EF5222 | Type: Digital File

This provocative event slips between testimony and reflection, emotion and medicine, flesh and technology to contemplate our abiding fascination with what lies under our skin.

2007; 25:23

Clicking in: Hot Links to a Digital Culture

Editor: Lynn Hershman Leeson | Reference: P2898 | ISBN: 978-0941920421 | Type: Publication

The most provocative voices of the Digital Age grapple with the direction of digital technology and its concomitant issues, including virtual identities and their relationship to the physical self, the collision of commercial and community interests on the Net, the Net threat to intellectual property, and the merger of art, popular culture, and commerce in interactive media.

The Dinner Party Revisited

Author: Katherine Araniello | Reference: P2775 | Type: DVD

This publication draws together documentation of the event in the form of photographs, creative responses, first-hand accounts from performers and a feature length edit of the performance on accompanying DVD. Also included are critical and reflective essays on Katherine’s work to date by contributors Lois Keidan, Marcia Farquhar and Aaron Williamson. Publication with DVD (Audio Description option and subtitles). 

Monica Ross: A Symposium

Author: Amy Tobin | Reference: A0631 | Type: Article

The author reflects on the “Monica Ross: A Symposium” that took place at the British Library, London, on Friday 28 November 2014, in celebration of the institution’s acquisition of Ross’s digital archive.

How to Co-Design our Digital Future – A Proposal

Editor: Jon Rogers, et al. | Reference: P2673 | Type: Publication

Unlimited Theatre, Storythings and the Product Design Research Studio, University of Dundee – the team behind UNeditions – share their experiences of what makes co-design work.

Alex Sarti: Conversazione con Franco Berardi (Bifo)

Author: Alex Sarti | Reference: A0604 | Type: Article

Alex Sarti in conversation with Franco Berardi (Bifo). 

Woman With Salad

Author: Jess Williams | Digital Reference: EF5118 | Type: Digital File

Three parts documentation of performance questioning some of the tropes associated with contemporary women and the internet. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

You Are Here: Art After The Internet

Editor: Omar Kholeif | Reference: P2431 | ISBN: 9780956957177 | Type: Publication

A critical exploration of both the effects and affects that the Internet has had on contemporary artistic practices. Contributors: Ed Halter, Basel Abbas, Ruanne Abou-Rhame, Sophia Al-Maria, Sam Ashby, Jeremy Bailey, Stephanie Bailey, Erika Balsom, Zach Blas, James Bridle, Jennifer Chan, Tyler Coburn, Michael Connor, Model Court, Jesse Darling, Brian Droitcour, Constant Dullaart, Gene McHugh, Omar Kholeif, Lucia Pietroiusti, Jon Rafman, James Richards, Basak Senova, Jamin Shovlim, Brad Troemel.

DNA 50 Four Plus: Writing DNA

Author: Neil Chapman, Kevin Clarke, Jessica Curry and Dan Pinchbeck, Richard Dedominici, Gair Dunlop, Ruth Maclennan, Penny McCarthy, Gonzalo Páramo Pino, Graeme J. Walker. | Reference: P2043 | Type: Publication

Programme of the Wellcome Trust exhibition at the TwoTen Gallery and the Wellcome Building, London NW1, until 29 August 2003, celebrating the 50th anniversary of the discovery of the structure of DNA. Ten artists use visual, literary, and digital media to present fresh perspectives on the discovery and to show science as social history, science as passion.

Cyborg Theatre: Corporeal/Technological Intersections in Multimedia Performance

Author: Jennifer Parker-Starbuck | Reference: P2004 | ISBN: 9780230245839 | Type: Publication

This publication articulates the theoretical context for a ‘cyborg theatre,’ metaphorically integrating on-stage bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age.

Ulrike and Eamon Compliant

Author: Blast Theory | Reference: P1772 | ISBN: 978-0-9543258-1-7 | Type: Publication

Commissioned and performed for the 53rd Venice Biennale.

Talking Heads: Blast Theory

Author: Blast Theory | Digital Reference: DB0010 | Type: Digital File

‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

The Untold Story of the British Space Programme

Author: Spaceship UK | Reference: P1480 | Type: Publication

Promotes fresh and challenging work through a range of live events.

From Anger to Sadness

Author: Frank Millward - The Visual Voice | Reference: D1200 | Type: DVD

part of National Review of Live Art programme 2009

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1155 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performances: Spank by Caroline Smith; This is How it Was by Chris Johnston. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1153 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Workshop Outcomes ‘Intimacy and Recorded Presence' with Kelli Dipple. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1152 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy.Workshop Extract: Bodies of Colour' with Johannes Birringer. Performance: Four Images by Adam Overton. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1151 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy.Symposium, Part 2. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1150 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy.Symposium, Part 1. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1149 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to elicit connectivity, induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy now. Edited film including excerpts of the event. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1161 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Workshop documentation (CD) of the performance-experiment devised and directed by Lauren Goode (see REF. D1160) including: a transcript of the of the workshop, still images, the discussion, and moving image documentation. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1160 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy.Workshop documentation  of the performance-experiment devised and directed by Lauren Goode aimed to explore: visibility and invisibility of intimacy, possibility and impossibility of intimacy, conscious and non-conscious intimacy; public intimacy. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1159 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performances: 13 Volts and 1 Carrot by Eva Sjuve; Belonging by Avatar Body Collision; Concrete Corps by Atau Tanaka. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1158 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performance: TranSfera by SUKA OFF. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1157 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performances: Fee for Service by Jess Dobkin; From Anger to Sadness by Frank Millward; Goldilocks Peep Show by Leena Kela; How to Wax by Rachelle Beaudoin; Microdances: An Intimate Post-post-porn Performance by Jaime del Val. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Intimacy - Across Visceral and Digital Performance

Author: Various | Reference: D1156 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performance: Suna No Onna by Dans Sans Joux. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Human Futures - Art in an Age of Uncertainty

Editor: Andy Miah | Reference: P1159 | ISBN: 978-1-84631-181-9 | Type: Publication

Artistic artefacts, original quotations and creative writing that considers the social impact of technology for humanity.