Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
An interview with women at the forefront of art and technology.
Liquid damage on publication.
Interview with Laurie Anderson.
On Harbourfront Centre 2014 World Stage Festival, Toronto.
Develops a three–part definition of xenofeminism grounded in the ideas of technomaterialism, anti–naturalism, and gender abolitionism.
The latest collaboration between Glenn Kaino and Derek DelGaudio, who work together as the conceptual performance art duo A.Bandit to make magical art.
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
Experimental video essay.
Part of the Library of Performing Rights (LPR) (P3041).