The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Outlins the performance map in Mexico, calling on artistsfrom various regions of the country to investigate and trace the history of this artistic expression.
Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten.
Gathers together Fusco’s finest writings since 1995 and includes critical essays by Jean Fisher and Caroline Vercoe that interpret her work.