Theorizes the racialized structures of inequality that pervade theater and the arts.
Part of The Library of Performing Rights (P3041)
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Adrian Piper, Eleanor Antin, Anna Deavere Smith and Nikki S Lee have all crossed racial, ethnic, gender and class boundaries in works they have concieved and performed. Cherise Smith analyses their engagements with issues of identity through close readings of perfromances by each artist.
Elizabeth Streb combines memoir and analysis to convey how she became an extreme action dancer/choreographer. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249).
Features the work of 42 solo artists spanning the century-from Beatrice Herford in 1869 to Dawn Akemi Saito in 1994. Each artists’ work is introduced by a journalist, artist, critic, agent, producer or educator who is intimately familiar with the material and its links to other forms such as vaudeville, theatre, cabaret, music, standup comedy, poetry, the visual arts and dance.