On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
1 A Medea: Requiem for a Boy, 1986 (2 files)
2 Rusty Sat on a Hill One Dawn …,1987 (2 files)
3 Eva Peron, 1987
4 King Oedipus, 1987
5 Peep Show (videos used in performances), 1988 (2 files)
6 Minamata,1989 (2 files)
7 Pasos en la Obscuridad, 1990
8 The Hip-Hop Waltz of Eurydice, 1990
9 Bogeyman, 1991
10 Train Project (un-edited video project @ L.A.T.C.), 1991
11 The Blind Owl and Making of…, 1991
12 The Law of Remains, 1992
13 Simon Boccanegra, 1992 (2 files)
14 Tight Right White, 1993
15 Quotations from a Ruined City, 1994 (2 files)
16 Memorial Service, LA and NY, 1995 (2 files)
17 Mixed Images and Projects
18 Reza Abdoh, Short Video Works
19 Interview Tapes
20 Show Tapes (videos used in performances)
21 Cast Reference Video
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Offers a richly detailed portrait of the internationally renowned composer, performer, director, and filmmaker.
Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.
In misc. folder 7.
Part of the Library of Performing Rights (P3041).
A collection of writings which describe in words the mercurial and ephemeral light as it changes across a day, across seasons, and across a year.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Taking her starting point in sources such as the letters of Kierkegaard, Saxo's chronicles of Danish history, and the observations of Tycho Brahe, Abramović has created an immersive total installation that includes a range of rituals, an audio system and specially designed shelves for people.
The Royal Danish Library, Copenhagen, 21 June 2017 – 21 March 2020.
Catalogue of an exhibition of artwork commissioned for particularly notable and challenging sites throughout Britain & Northern Ireland.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
Exhibition catalogue; 19-27 October 1991, le Fresnoy, France.
Publication on the public performance in response to Michelangelo Pistoletto's scultpure / installation.
Book accompanying the eponymous exhibition, held at the Reading Prison, 4/9 – 4/12 2016.
Documents the artist’s two-year (2015-2017) experimental site-specific art project. The project involved Chen’s visits to 168 locations set out as squares on a Google map of Greater London, and used the city as a stage and open space for the execution of Chen’s experiments.
Large format programme for Hotel Obscura (Vienna performances). In German.
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.
The Future Show is both a performance and an on-going project. It is a piece that tells the story of a one person's future, starting from the end of a performance and going until the end of her life.
In 1987, Paul Bright, a rebellious young Scottish director set out to stage James Hogg’s cult novel Confessions of a Justified Sinner in a series of radical productions across Scotland. In 2010, Untitled Projects began work with the actor George Anton to assemble an archive and exhibition of this almost-forgotten feat of theatre.
This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.
This catalogue explores different artistic strategies, notions and formats for developing performances in public space, using specific sites in Berlin as platforms to “embody” the city. Featured authors/artists: Bettina Wagner, Dovrat Meron, Grasiele Sousa & Lucio Agra, Michaela Muchina, Nathalie Fari, Paula Hildebrandt
In this article, the author contends that politically themed one-on-one performances provide value because their budgets do not fit into a comfortable capitalist model of exchange. To be found in Miscellaneous Articles Folder #4.
Research booklet for a collaborative project initiated by live artist Tania El Khoury and researcher and architect Abir Saksouk. “Nothing To Declare” was the group’s first lecture performance and was developed during a residency at Watermill Studios in the United States in April 2013. Also see video documentation ref EF5156.
Trailer of a collaborative project initiated by live artist Tania El Khoury and researcher and architect Abir Saksouk. “Nothing To Declare” was the group’s first lecture performance and was developed during a residency at Watermill Studios in the United States in April 2013. Also find the project's Research Booklet as P2662.
Documentation of durational performance considerng acts of political whitewashing. Performed as part of LABOUR (2012): a touring exhibition of Live Art, featuring eleven leading female artists who are resident within, or native to, Northern and Southern Ireland.
Documents from the performances “A Greaât Stitheram” in the Greyfriars, Lincoln, and “Change in Energy = the Work” at Arnolfini.
Itinerary map of Sideways festival organised as a 4 week expedition through Belgium, from West to East, between August 17th and September 17th 2012.
Publication documenting a series of ambitious large-scale public artworks by the environmental arts organisation NVA. This item is part of the Study Room Guide to Remoteness (P2600).
An indepth analysis of the work of three significant African diaspora artists – David Hammons, Maria Magdalena Campos-Pons and Pamela Z – with essays examining site specific installations and peformances concieved by these artists for Dak'Art 2004, the Biennale of Contemporary African Art
Poses questions over the nature of action, identity and the self in the relationship with media forms.
Sophie Calle's project Double Game interweaves the artist's life with that of Maria, a character in Paul Auster's novel 'Leviathan', blurring the lines between reality and fiction. Second edition
A collection of critical essays and artist reflections considering some of the richest and most important developments to take place in contemporary Irish theatre and performance.
‘Performing Site-Specific Theatre turns a critical eye to the form of site-specific theatre, investigating the nature of the relationship between ‘site’ and ‘performance’. Contributors: Joanne Thompkins, Anna Birch, Michael McKinnie, Susan Bennett, Julie Sanders, Jane Collins, John Webster, Mike Pearson, Kathleen Irwin, Susan Haedicke, Lesley Ferris, Louise Owen, Keren Zaiontz, Bruce Barton, Richard Windeyer, Helen Iball, Sophie Nield
Online article on InSite, a network of contemporary art programs and commissioned projects mapping the dynamics of permeability and blockage that characterise the liminal border zone of San Diego-Tijuana. To be found in Miscellaneous Articles Folder 4.
Comprehensive monograph on Rose Finn-Kelcey with illustrations and essays.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Collection of images and documentation for Choi Jeong Hwa's first UK solo show in Wolverhampton Art Gallery, 2007. Shelved in Oversize publications section.