The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.

From Surrealist selfies to feminist self-portraiture, the ISelf Collection explores identity and the human condition through the central themes of birth, death, sexuality, love, pain and joy. Taking the display of the collection at Whitechapel Gallery as its springboard, this book looks generally at the question of the self in modern and contemporary art, and the ways in which artists are thinking about being and identity as an individual, in relation to others, to society and the wider world.

One of the first comprehensive treatments of land use in contemporary art, the collection surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena.

Part of the Study Room Guide on Live Art and Displacement (P3107).

This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.

Catalogue comprising of the work of more than 65 artists, featuring a variety of media, from the exhibition at the Museum of Contemporary Art San Diego

Themed collections of performance documentation and works for camera projects addressing issues of borders/border crossings

Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.

Publication to coincide with exhibition, 2013. This item is part of the Study Room Guide to Remoteness (P2600).

The first extensive survey of walking in contemporary art. This item is part of the Study Room Guide to Remoteness (P2600).

Accompanying text for the BilderBedarf Exhibition 2012-13, Cologne, Germany; exploring the effects of works of art in relation to civil society