Catalogue > By Keyword > Rimini Protokoll

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The Twenty-First Century Performance Reader

Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Engaging the Audience

Artist/Author: Heather J. Denyer | Reference: A0861 | Type: Article

On Under the Radar Festival, 4-15 January 2017.

Joined Forces: Audience Participation in Theatre

Editor: Anna R. Burzyńska | Reference: P3165 | ISBN: 978-3-89581-427-3 | Type: Publication

Four interviews and ten essays, case studies, manifestos and anti-manifestos by theatre makers, curators, critics, and scholars, presenting various examples of audience participation in theatre and linking them to problems of participation in democracy and to socially engaged art.

Knitting Iron

Artist/Author: Poshya Kakil | Reference: D1846 | Type: DVD

Selected Works of Poysha Kakil, featuring the documentary film Knitting Iron.

Social Works: Performing Art, Supporting Publics

Artist/Author: Shannon Jackson | Reference: P1585 | Type: Publication

This item is referenced in the Dreams for an Institution Guide (P2313).

Cargo Sofia-X, Call Cutta

Artist/Author: Stefan Kaegi & Rimini Protokoll | Reference: P1215 | Type: Publication

Miscellaneous documentation of the individual and collaborative work by Stefan Kaegi. In 2000, Kaegi joined forces with  Helgard Haug and Daniel Wetzel, under the label of Rimini Protokoll, and begun staging engaging and nomadic interventions on the landscape of various European cities. Cargo Sofia-X is a live spatial model, a site-specific performance for European and boarder-cities. For Call Cutta the group founded a Call Centre in Kolkata to remote-control audiences through Berlin by mobile phone. English with some text in German. For documentation of Call Cutta see REF. D1132. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)