The culmination of a year-long project at BalinHouseProjects (BHP), an artist-run, not-for-profit space by Eduardo Padilha at his flat in Tabard Gardens North Estate.
Part of Library of Performing Rights (P3041).
Dissects the network of household, kinship and sexual relations that constitute the family form in advanced capitalist societies to show how they reinforce conditions of inequality.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Based on her widely praised performance piece Unicorn Gratitude Mystery, Finley’s book explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein.
Part of the Library of Performing Rights (LPR) (P3041).
The first annual anthology of commissioned new work by queer authors.
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
Publication of the third Strategic Meeting for Directors and Theatremakers, focusing on the work of professionals in Europe and the Arab world. Includes transcripts in English and Arabic.
Part of the Library of Performing Rights (LPR) (P3041).
Paper setting out new forms of audience participation in political and ethical terms.
Part of the Study Room Guide on Live Art and Kids (P3091).
In misc folder 6.
An overview of the first 10 years of the VERBO festival, featuring texts by Brazilian and foreign authors.
In Portuguese and English; some text in Spanish.
From Parkett Magazine.
In English and German.
Found in miscellaneous article folder #5B
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre.
An overview of Poro: Brazilian company engaged in poetic, ironic and political actions. In Portuguese and English.
A collection of documents, presentations, propaganda pamphlets and vidioes realised by The Institute for the Art and Practice of Dissent at Home, including “Miss Julie in Utopia Propaganda Pamphlet 2106200821” (2008), “The Hazardous Family Performance Text” (2008), “Macbethmachine Pamphlet 211220101330” (2010), “Family in Transit” (2013), and a DVD video of “A Promising Family Picnic” (2009).
SHIFTwork is the collective name for a series of commissioned performances which focused on the physical act and process of painting as a form of performance art. This catalogue documents the first collaboration, 'Cathedral of Joy', occurred with New York artist Fritz Welsh on a series of paintings in full view of the public whereby the gallery became a public studio revealing in real time and on continuous webcam transmission what is ordinarily the private practice of painting.
FrenchMottershead discuss thir strategy of ‘microperformance’.
This publication explores many Western world’s construction of the body as a theoretical, philosophical and political concept.
Documenting Alain Arias-Misson's 'public poem' projects over the last 45 years. With an essay by Roger D'Hondt
Includes: Weaveair (2000); Creatures (1998); Octopus at the Shoreditch Gallery – London (1995 – 2000); M Groisman Dance Co (1997); Transference (1999)
Video document of performance. With movements both hers and of other choreographers, Denise Stutz guides the audience through a personal and emotional history of Brazilian contemporary dance. The memory of the body and its relationship to identity – as well as how this is inscribed in space and relates to the public – motivate and shape this solo.
Video document of a journey of recollection through embdied and spoken narratives drawn from a number of reference works by the artist.
The CD includes a powerpoint presentation of the work by the Irish/Canadian artist and a short biography and artist statement.
Collection of video documentation of the artist’s early and recent works. Including artist’s biography. Video PAL
A reinterpretation of the classic fairy tale, inspired by versions as disparate as Disney’s and the macabre Grimm brothers’.
Recording of two nights of the show at the Theatre de la Bastille, Paris, in November 2006.PAL Video.
Five DVDs from five different members of the public participating in Brian Lobel’s Carpe Minuta Prima performance.
A fully illustrated colour catalogue documenting the 2009 retrospective exhibition of the artist Stuart Sherman.
Reveals an experimental process of how drawing and kickboxing come together artistically and philosophically. Accompanying DVD with publication: D1893
Reveals an experimental process of how drawing and kickboxing come together artistically and philosophically. Accompanying Book: P1935
On European dramaturgy in the 21st Century.
A Performance Documentation of Raumlabor’s Duismulsen U(topie) 18
Find article in misc. folder 2
Artist documentation.
Artist Ben Parry from Liverpool joins forces with Jacques Chauchat from Paris to explore detritus, survival in the city animating the streets and public places with these four performance interventions.Ben Parry works with Jump Ship Rat, an artist led organization dedicated to the promotion of the visual and performing.
Series of postcards as part of the UPRISING project and its accompanying documentation, EVIDENCE. From January 2008 to December 2008, Nicole Garneau embarked on twelve monthly performances broadly exploring the practice of revolution – UPRISING,. Performances were directed by Nicole Garneau and co-created by Nicole and performers. Events had the purpose of being live, public, temporal, and participatory stagings of possibilities for a humane world, and were marked by a commitment to flexible structure and sense of humor.Site specific, activism.
On public art in London.
A series of five short complimentary films investigating the ways in which inhabitants of five towns across Europe deal with a recent local criminal case that has somehow captured the public imagination.
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
of David Cotterrell's work, encompassing installation, video and games.