Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
A tribute to Katherine Araniello, read during the event at LADA, 16th April 2019.
Part of the Library of Performing Rights (P3041)
In misc folder 7.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Celebrates the ten year anniversary of Shape Arts' award, set up in memory of the sculptor.
Part of the Library of Performing Rights (P3041).
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
Programme for the 2016 Unlimited festival, celebrating the artistic vision and originality of disabled artists.
Southbank Centre, 6-11 September.
Review of Vason's book, published by the Live Art Development Agency and Intellect Books.
The full screening programe from Playing With Space, a touring film programme curated by Lawrence Bradby that celebrates artists who have been making guerrilla interventions, granting themselves the right to make their own work public. The file include a PDF documents with information and text on the event.
This book investigates the daily social drama that positions people with disabilities as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama.
Review of the event and blog for “Access All Area”, March 2011, organised by the Live Art Development Agency. Also csn be found in P 1750
This is an excerpt from Access All Areas publication: P1864. Footage by Manuel Vason (see also British Library recording, D1621).
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
La Porta Live Art screening programme – 10th December 2011.
www.antifestival.com
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011. Visitors are interviewed on camera in a way reminiscent of TV chat shows but with an eventual, unexpectedly acidic twist. Also includes footage of the FeMUSEum shop and gallery.
Brings together texts from a variety of sources representative of the most engaging, provocative and thoughtful writing about Live Art.
Digital Reference is folder containing four movies. Manuel Vason Recording (also see British Library recording, catalogue ref. D1617)
Art Gwangju 2011 Live Art Development Agency screening programme – a small selection of artist’s films from LADA’s documentation bank
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Live Art and Disability, Access All Areas: Robots Destroy the Tower of Babble!Digital reference refers to folder containing 4 movies. Manuel Vason footage (see also British library recording, D1624)
Live Art and Disability, Access All Areas: Robots Destroy the Tower of Babble! Digital reference refers to folder containing 4 movies. British Library recording, (see also Manuel Vason footage, EF5044)
Digital Reference is folder containing four movies. British Library Recording (see also Manuel Vason electronic file recording, EF5037).
Box archive of Anne Bean's Legacy Project TAPS: Improvisations with Paul Burwell co-curated by Robin Klassnik and Richard WilsonOver the course of three days TAPS combined film, installation and performance, portraying layers of interpretation from more than 80 invited collaborators, in response to Paul Burwell's poem ‘Adventures in the House of Memory'. Paul Burwell was infamous for his exuberant fusions of fine-art installation, percussion and explosive performance. He was a staunch advocate of, and passionate participant in, all forms of experimental art. TAPS: Improvisa- tions with Paul Burwell, realised by Anne Bean, Robin Klassnik and Richard Wilson embodies his prolific practice. TAPS was supported by a Legacy: Thinker in Residence Award to Anne Bean. Legacy is a collaboration between the Live Art Development Agency and Tate Research, financially assisted by Arts Council England and the Live Art Development Agency. Legacy acknowledges the outstanding bodies of work of two artists who have influenced the development of the Live Art field by supporting them to think about the legacies of performance in art historical contexts and examine the processes and challenges of archiving live work. Boxed archive includes:Matt's Gallery press release for TAPS: Improvisations with Paul BurwellTAPS: Improvisations with Paul Burwell newspaper publicationThe Wire #319 September 2010 – p.32 Tribute to Paul Burwell by Julian CowleyThe Wire #321 November 2010 – p.74 Review of TAPSD1469 (copy) Performance Matters 06.10.2010, Performing Idea: Living ArchivesFeaturing TAPS presentation by Anne Bean at 00:46:10
Reflects the ways in which the practices of artists who work with Live Art have engaged with, represented, and problematised issues of disability in innovative and radical ways, and the ways in which Live Art has been, and continues to be, a potent platform for artists to explore notions of physicality, identity and representation.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
XXXmissing. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
XXXmissing. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Includes essays and reviews about the work of Brian Catling. This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Looks at the theme of disability and access in the context of art organisations.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Guide to UK companies and artists creating work available for international touring.
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
Documentation of a trip to Shanghai in which the artist pretended not to speak the language and traversed the city using only a map made for tourists. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
3 months of essential contemporary art in Nottingham, the artists were challenged to create works that engaged at least two of the human senses. Vital festival, exposing new views. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)