Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.

Documentation of the evening celebrating the life and Live Art of the brilliant and inspirational artist Katherine Araniello who died on Monday 25 February 2019.

Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.

Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.

In the oversize cabinet.

A document showing ways to prevent sexual violence and support survivors of sexual abuse.

Reflections, stories, experiences, critiques, and ideas on community and collective response to sexual violence, abuse, and accountability.

Zine on rape culture in the anarchist milieu.

Includes: Pride (poem), Alter treego (poem), Fat Kid Manifesto (poem, extract from Fat Kid Running), Daring the City to Fall into it (poems + a short story), No guilt in Pleasure (zine)

Zine of the project documenting and tracing the Ambedkarite movement in the 1970s.

Drawing together communiques, covert interviews and underground histories of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people. 

Signed copy.

Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.

Part of Library of Performing Rights (P3041).

A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.

Part of the Library of Performing Rights (P3041).

First print issue of the journal published by a collective for thinking gay communism together.

Part of the Library of Performing Rights (P3041).

Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.

Part of the Library of Performing Rights (P3041).

Asking urgent questions about drag today, Louche takes a critical and constructive approach to queer performance culture: its past, present and future. Featuring contributions from over thirty artists, writers and illustrators.

Five year strategy by Create, Ireland for 2020-2025

Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019

Part of the Library of Performing Rights (P3041).

. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.

In Spanish.

The book brings Greta in her own words, collecting her speeches that have made history.

15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.

Part of the Library of Performing Rights (P3041).

Through personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection.

Super 8 film was made at the Festival de l’Etrange, Vidéotheque de Paris. Produced by Homemade FIlms.

Part of LADA Screens 6.

A documentary about a series of one-to-one performances that took place in a hotel in Austria.

Part of LADA Screens. The film was available online  4 April to 28 April 2017 on the LADA Screens Channel. Part of the Library of Performing Rights (P3041).

A film documenting the unsanctioned live performance in Tate Britain: in the run up to the international climate talks in Paris as the artists invited Tate to reconsider their sponsorship deal with BP, and to begin to erase this scar from their skin.

Part of LADA Screens 9. The film was availble online between 30 April ­and 13 May 2016 on the LADA Screens Channel.

A specially filmed conversation between Ron Athey and writer Jennifer Doyle. Filmed in LA for LADA Screens by Brittany Neimeth.

Part of LADA Screens 6.

A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc. 

Audio recording from the informal event which included a practical session of creating ‘access and equality riders’ for artists and audiences. LADA, 26 June 2018. 2 audio files.

The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.

An invitation to encounter work and thinking that is in motion. Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.

A short documentary made during a climate change summit, COP15, which took place in Copenhagen in December 2009.

This video was part of LADA Screens, and was available online from 30 November 2015 to 13 December 2015.

HD Video, 37 minutes.

On Christoph Schlingensief, solo exhibition at MoMA S1, March-August 2014.

Explores the early history of animal rights through the images and the people who harnessed their power. 

The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.

Part of the Library of Performing Rights (P3041)

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).

Part of the Library of Performing Rights (P3041)

Second edition of the anthology consisting of texts written by artists active within the field of dance and choreography in the Nordic countries.

In Nordic languages and English.

Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.

Part of the Library of Performing Rights (P3041).

Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.

Part of Library of Performing Rights (P3041).

Asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation.

Thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary. 

Edited in conversation with Krist Gruijthuijsen, the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’.

Charts artist and performer Emma Frankland's gender transition against a shifting social and political landscape, while grappling with the systematic erasure of trans history.

Part of Library of Performing Rights (P3041).

Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.

Part of Library of Performing Rights (P3041).

A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.

Part of Library of Performing Rights (P3041).

Combining intrepid journalism with her own personal experience, Abraham question what it means to be queer in 2019. 

An important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.

Part of Library of Performing Rights (P3041).