Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
Documentation of the event marking World AIDS Day. Included a screening of Ron Vawter’s performance at the ICA in 1993 as part of LIFT and a conversation between Neil Bartlett and Nancy Reilly.
Documentation of the event marking the end of Restock, Reflect, Rethink Four, a project about Live Art and Cultural Privilege.
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Documentation of the evening celebrating the life and Live Art of the brilliant and inspirational artist Katherine Araniello who died on Monday 25 February 2019.
Documentation of the performance lecture by Swiss based Brazilian artist about their most recent work Trinta y Dois Igual a 5.
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
La Ribot, Exhibition catalogue. 11/8-2/9 2017, Berlin.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Presents 285 works from 48 countries performed during 2018, documented in the words of their creators.
A companion book to the performance by Once We Were Island.
Feminist science fiction that anticipates a post-patriarchal future.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Nine minute video of the performance.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
Asking urgent questions about drag today, Louche takes a critical and constructive approach to queer performance culture: its past, present and future. Featuring contributions from over thirty artists, writers and illustrators.
Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
In English and Finnish.
Pines towards a future vision that surpasses generally accepted structural limitations of the human condition. Part of LADA Screens.
From a god-fearing Muslim boy enraptured with their mother, to a vocal, queer drag queen estranged from their family, this is a heart-breaking and hilarious memoir about the author’s fight to be true to themself.
Part of the Library of Performing Rights (P3041).
Charts the choppy waters of gut feelings, capturing the flotsam and jetsam of impulse, desire and fights to the death.
Part of LADA Screens 14.
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.
Part of the Library of Performing Rights (P3041).
Daniel Oliver is dyspraxic and he creates awkward participatory performance worlds.This book documents some of those worlds, as well as bringing together critical and creative responses to them.
A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).
A rough cut of the first ever documentary about the life and work of Franko B. Part of LADA Screens 16.
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
An idyllic location, a perfect spot, but something just isn't quite right, something doesn't fit.
Part of LADA Screens 14. The film was available online 23 August – 6 Spetember 2016 on the LADA Screens Channel.
On Forced Entertainment, prediction, and the community of audience.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.
A journey through the history of disability – a history lesson with a difference.
Part of The Library of Performing Rights (P3041).
Includes:
Moon River (and project description), 2018/2019, 10:47
Nest: Inhabit (and project description), 2019, with Samantha Sweeting, 11:42
The Empty Station (and project description), 2017, with Chris Spencer-Lowe, 5:58