A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Film created as part of The Casement Project, a multi-disciplinary project about Roger Casement, a British knight, Irish rebel and international humanitarian.
Part of the Library of Performing Rights (P3041).
A documentary about a series of one-to-one performances that took place in a hotel in Austria.
Part of LADA Screens. The film was available online 4 April to 28 April 2017 on the LADA Screens Channel. Part of the Library of Performing Rights (P3041).
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
First catalogue of work by London based artist Stefan Gec.
Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.
A collection of three radically poetic works for live performance. Includes JARMAN, Carthage/Cartagena), and The Orphan Sea.
Based upon the Lexicon of Tanjas Ostojić (2011-17), an interdisciplinary participatory research art project that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.
A performative publication enabling a rich array of theatrical and artistic scores that can be performed at a moment’s notice.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.
Playing cards made as part of Speaker's Corner.
A provocationinterested in exploring the meeting points between the obliteration of the possibility of physical motherhood (rupture of the body), a country disappearing in war (rupture of the land) and the reconstruction of the bio-political-history. Together these assert a new no-motherhood and post-motherland identity away from the exilic ruptures that define the end of the 20th and beginning of the 21st centuries in Europe.
Large format programme for Hotel Obscura (Vienna performances). In German.
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Exhibition catalogue. 18 September – 12 October 2014. Curated by Clemens Poole.
In Ukranian and English.
A curated program of temporary public art installations throughout the city of Kyiv, challenging artists and viewers to creatively address the changing physical, emotional, and social concepts of occupation.
This art book deals with the work of the Trace Collective, and includes both critical essays and images.
An international survey that brings together 40 of the most influential approaches to art in public.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This exhibition catalogue takes in a large part of the artist's image making practice from 2001-2013. An identifiable persona, The Irishman, was created as a device to explore exilic experience.
Article documenting an installation work on display at the 2013 Spielart Festival in Munich Germany. Tania El Khoury and Petra Serhal, of Dictaphone Group, developed the project during a Cityworks residency.
Exhibition catalogue documenting the a collaborative project reflecting on the experience of refugees through art and media. In English and Portuguese.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
The story of a man, the milestones in his life journey, and the people and food that influenced his development across continents and in between social and cultural divides.
Part of One Work series of books, each focused on a single work of art examined by a single author and aimed at provoking debate about significant moments in art. Contains a range of illustrations from the artist’s work.
Each visitor is invited to donate a drop of blood to be used as ink in the writing of the Universal Declaration of Human Rights. Disc 3 of 3, see REF. D1092/D1094. Documentation from the National Review of Live Art 2008.
Each visitor is invited to donate a drop of blood to be used as ink in the writing of the Universal Declaration of Human Rights. Disc 2 of 3, see REF. D1092/D1094. Documentation from the National Review of Live Art 2008.
Video documentation of NRLA (National Review of Live Art) 2008.
An audio-visual installation in a car. Video documentation of NRLA (National Review of Live Art) 2008; 6-10 Feb 2008.
This is the full version. Donated to study room by Fernando. This item is referenced in the Making Routes Study Room Guide (P1964).
This DVD has selected works, graphics file and visual slides (full version available). This item is referenced in the Making Routes Study Room Guide (P1964).
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the The Displaced & Privilege: A Study Room Guide on Live Art in the age of hostility (P3107).