Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
A toolkit with a mission to look to the future: to support long-term change across the arts sector by sharing knowledge, providing expert support, and encouraging take-up of an intersectional approach to equality, diversity and inclusion.
Part of The Library of Performing Rights (P3041).
An important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.
Part of Library of Performing Rights (P3041).
This front line queer theatre tells first hand stories of how it is to be LGBT/Queer in Serbia and reveals the underlying issues of war, closed borders, neofascism and a country in the process of change.
In English and Serbian.
Part of Library of Performing Rights (P3041).
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Revisits and resuscitates the forgotten heritage of a politicised theatre group – ‘Al Assifa’.
Part of Library of Performing Rights (P3041)
Reframes Live Art practice, adopting the handy neologism gen-age, to describe the intersection of gender and age.
Part of the Library of Performing Rights (P3041).
Published in association with the Baltimore Museum of Art. Exhibition catalogue. Exhibition dates / The Baltimore Museum of Art: October 7, 2018-January 6, 2019 Wexner Center for the Arts: February 2-April 28, 2019
Explicitly addresses significant issues, such as the oppression of women and Eurocentric standards of beauty, the historical rise of the idea of whiteness, and the abridgement of democracy along race, class, and gender lines.
Dissection of the “new racism,” from one of the greatest radical black intellectuals of our time.