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Native Strategies 4: Dispersions

Reference: P4070

The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.

Native Strategies 4: Dispersions

Digital Reference: EF5351

The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.

Native Strategies 3: Rituals & Congregations

Reference: P4069

The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 3: Rituals & Congregations

Digital Reference: EF5350

The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 2: Next Steps

Reference: P4068

The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.

Native Strategies 2: Next Steps

Digital Reference: EF5349

The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.

Native Strategies 1: So Funny It Hurts

Digital Reference: EF5348

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Birthmark

Author: Liberate Tate | Digital Reference: EF5333

A film documenting the unsanctioned live performance in Tate Britain: in the run up to the international climate talks in Paris as the artists invited Tate to reconsider their sponsorship deal with BP, and to begin to erase this scar from their skin.

Part of LADA Screens 9. The film was availble online between 30 April ­and 13 May 2016 on the LADA Screens Channel.

Performing Image

Author: Isobel Harbison | Reference: P3973 | ISBN: 9780262039215

Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.

Moving Gallery Notes

Author: Ian Morrison | Reference: P3783

 Charts a year at John Hansard Gallery in Southampton and the experience of communities forming in and around changing gallery spaces.

Ways to Wander the Gallery

Reference: P3764 | ISBN: 978-1911193517

25 intriguing ideas for different ways to walk in and beyond an art gallery – for gallery-goers, walkers, performance artists, students and academics.

Management of Art Galleries

Author: Magnus Resch | Reference: P3740 | ISBN: 978-0714877754

Based on the results of an anonymous survey sent to more than 8,000 galleries in the US, UK, and Germany, this is an insightful examination of the business of selling art.

Clare Thornton collection

Author: Clare Thornton | Reference: P3544

Includes:
-Corridors, Stairways & Corners
-A Lexicon ofLabour Movements
-The Italic I (Tacturiency)
Generously donated to LADA's Study Room by Clare Thornton.

In the glass cabinet.

From Margin to Center: The Spaces of Installation Art

Author: Julie H Reiss | Reference: P3496 | ISBN: 978-0262681346

A study of installation art, from its marginalized beginnings in the late 1950s to its central position in today's art world.

The Heritage Industry: Britain in a Climate of Decline

Author: Robert Hewison | Reference: P3494 | ISBN: 978-0413161109

Sets out to protect the present and the future of life in Britain from their most dangerous enemy: a creeping takeover by the past. While the real economy crumbles, a new force is taking over: the Heritage Industry, a movement dedicated to turning the British Isles into one vast open-air museum. 

Gypsies and Dogs II - symptoms and traces of the public reception

Reference: P3424 | ISBN: 978-86-80146-00-3

A collection of polemical writings, assaults, comments and theoretical discussions and analysis that appeared in reaction to the eponymous video, made in Belgrade, in 2007.

In Serbian and English.

Part of the Library of Performing Rights (LPR) (P3041).

Worth The Trip

Author: LOW PROFILE | Reference: P3328 | ISBN: 978-0954674519

Commissioned by Newlyn Art Gallery to mark their extension and the opening of The Exchange Gallery in Penzance, in 2007. The book is the outcome of an extensive process of cataloging and extracting repeated words and phrases from the gallery visitors book from a three year period.

Empty Stages, Crowded Flats: Performativity as Curatorial Strategy

Reference: P3272 | ISBN: 978-3-89581-443-3

Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.

Relational Aesthetics

Author: Nicolas Bourriaud | Reference: P3262 | ISBN: 978-2840660606

Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.

Shoot an Iraqi: Art, Life and Resistance Under the Gun

Author: Wafaa Bilal, Kari Lydersen | Reference: P3266 | ISBN: 978-0872864917

The project received overwhelming worldwide attention and spawned provocative online debates; ultimately, Bilal was named Chicago Tribune's Artist of the Year. Structured in two parallel narratives, the story of Bilal's life journey and his Domestic Tension experience, Shoot an Iraqi is for anyone who seeks insight into the current conflict in Iraq and for those fascinated by interactive art technologies and the ever-expanding world of online gaming. 

Delirium and Resistance: Activist Art and the Crisis of Capitalism

Author: Gregory Sholette | Reference: P3217 | ISBN: 978-0745336848

In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists' collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society. 

Confronting the Institution in Performance: Liberate Tate’s Hidden Figures

Author: Liberate Tate | Reference: A0720

Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group's performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP's hidden contracts. 

9.5 Theses on Art and Class : And Other Writings

Author: Ben Davis | Reference: P3153 | ISBN: 978-1608462681

Seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art's most persistent debates, from definitions of political art, to the troubled status of “outsider” and street art, to the question of how we maintain faith in art itself in a dysfunctional world.

Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)

WhiteNoise

Author: Rossella Emanuele and Greig Burgoyne | Reference: P3078 | ISBN: 978-0-9933373-1-4

An artist book reinterpreting a range of approaches to thinking and making that Emanuele and Burgoyne enacted through collaboration and collective process. The book evolved from a residency and exhibition at the Centre for Recent Drawing in 2015.

Performing Idea Symposium documentation

Digital Reference: EF5229

Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.

Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.

Maternal Metaphors

Reference: P3034 | ISBN: 978-1599711799

Exhibition catalogue: The Rochester Contemporary, 30/4-23/5 2004. Includes reproductions of artwork, critical essays and fiction. 

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

Ian Breakwell’s Unword, 1969-70

Author: Victoria Worsley | Reference: A0654 | ISBN: 905462 05 0

Published to mark the acquisition of UNWORD for Leeds Museums & Galleries Collection and its display in “Important Mischief: British Sculpture from the 1960s and '70s” in Leeds City Art Gallery, March – November 2006.Found in miscellaneous article folder #5B

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

The Other Story and the Past Imperfect

Author: Jean Fisher | Reference: A0652 | ISBN: 1753-9854

From Tate Papers no.12

Found in miscellaneous article folder #5B

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Provinciality and the art world: the Midland Group 1961–1977

Author: Hannah Neate | Reference: A0649

This paper focuses on the Midland Group Gallery in order to make a case for the consideration of the geographies of art galleries, highlight the importance of galleries in the context of cultural geographies of the sixties, and discuss the role of provinciality in the operation of art worlds.

In misc folder 5A.

Meno parkas archive

Reference: P2941

Includes catalogues summarising the gallery's work (Meno parkas 2015, Meno parkas 2014, Meno parkas 1997-2012) and the catalogue of contemporary art festival (Kaunas in Art: Artists, Institutions, Projects, 2011)

The Leonardo Question

Author: Caroline Wiseman | Reference: P2935 | ISBN: 978-0955319426

Where can Art go from here and who will be the next modern master? To help answer this question we are taken on an enlightening and entertaining journey through the story of modern cubism to now.

Headspace: White Cube - documentation

Author: Sinéad O'Donnell | Digital Reference: EF5181

A performance sculpture that segregates the artist in the “white cube” environment that has come to epitomise the contemporary art world. 

Video commissioned by LADA for 'talking heads' series part of Access to all areas: Live art & disability in New York.

Edited video from Performance Sculpture, 2014. 3:26

Video by Peter Richards

Hayward Annual 1979

Reference: P2848 | ISBN: 978-0728702066

Current British art selected by Helen Chadwick, Paul Chowdhury, James Faure Walker, John Hilliard and Nicholas Pope.  Exhibition catalogue. Includes art, statements and interviews by Genesis P-Orridge, Cosey Fanni Tutti of Throbbing Gristle and COUM Transmissions, Bruce McLean, Tony Sinden, Jim Whiting, Gilbert & George, Bobby Baker and Garth Evans

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

 

72-82 - A Film by William Raban

Author: William Raban | Reference: D2192

72-82 tells the story of the first ten years of Acme Studios and their ground breaking work providing artists' housing and studios in London. It also features some of the pioneering exhibitions at the Acme Gallery that was based in Covent Garden from 1976-81. The film comprises visual archive materials brought to life by the voices of the artists involved. Interviewees include: Cosey Fanni Tutti, Jock McFadyen and David Critchley.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Ready to Shoot

Reference: P2454 | ISBN: 3936859159

Book published to accompany the 2004 exhibition of the same name

Artists included: Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alighiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino de Dominicis, Ger van Elk, Barry Flanagan, Hamish Fulton, Gilbert and George, Michael Heizer, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Ruckriem, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Keith Sonnier, Franz Erhard, Walther, Lawrence Weiner, Gilberto Zorio

Outbound: Passages from the 90s

Author: Contemporary Arts Museum, Houston | Reference: P2459 | ISBN: 0936080574

Catalogue from the 'Outbound: Passages from the 90s' exhibition at Contemporary Arts Museum, Houston, March 4 – May 7 2000, exploring contemporary art at the turn of the millennium

Lateral Thinking: Art of the 1990s

Reference: P2457 | ISBN: 0934418616

Catalogue comprising of the work of more than 65 artists, featuring a variety of media, from the exhibition 'Lateral Thinking' at the Museum of Contemporary Art San Diego

1990s 20th century Adam Rolston Alex Bag Anish Kapoor Ann Hamilton Armando Rascon Beattie and Davidson Bill Viola bodies body Byron Kim catalogue Charles Long Cindy Sherman curation Damien Hirst David Cerny David Hammons David Ireland David Mach David Reed Donald Lipski Doris Salcedo Edgar Arceneaux Edward Ruscha Einar De La Torre Fabrizio Plessi Felipee Almada Francis Alys Fred Tomaselli Gabriel Orozco gallery Gary Simons Gillian Wearing Hugh M. Davies identity Inigo Manglano Ovalle installation Jacci Den Hartog James Drake James Luna Jamex de la Torr Jimmie Durham John Baldessari John Currin Jose Bedia Josiah Mcelheny Keith Coventry Kelly McKinley Kenneth Price Kiki Smith Kim Dingle Lia Menna Barretto Lisa Yuskavage Llyn Folkes Loren Madsen LosCarpinteros Lyle Ashton Harris Marcos Ramirez Erre Maria Fernanada Cardoso Mark Dion Martin Kersels Mat Collishaw Matthew Barney Matthew Cusick Maurizio Pellegrin Michael Ashkin Miki Garcia museum Museum of Contemporary Art San Diego new media Niki de Saint Phalle painting performance performance art Petah Coyne Rachel Teagle Raul Guerrero. Hans Haacke Rebecca Horn Rita McBride Robert Colescott Robert Gober Robert Irwin Robert Therrien Roger Ballen Roman De Salvo Ronald Jones Ross Rudel Ruben Ortiz Torres Salomon Huerta Sandra Cinto Sarah Sze sculpture Sharon Lockhart Silvia Gruner Sol Lewitt Stepen Hannock Stephanie Hanor Tamara Bloomberg technology Thomas Allen Harris Toby Kamps Tomas Esson Tony Oursler USA Valeska Soares Vanessa Beecroft Vernon Fisher video Vik Muniz visual art Wendy Jacob William Kentridge Zhang Huan

Institution for the Future

Reference: P2408 | ISBN: 9780954544058

Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.