First edition of the anthology consisting of texts written by artists active within the field of dance and choreography in the Nordic countries.
In Nordic languages and English.
Information on a new transdisciplinary project of plant / human / animal / machine hybridisation started in 2016.
Newspaper created and published through the four-day programme exploring the interconnections of art, activism, performance, politics, health and print.
The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
Offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
A Culture Change Guide.
Part of Culture Change Guide: How to find and grow diverse talent.
Festival / exhibition catalogue. 6-18 October 2017.
In Croatian and English.
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?
Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.
Publication on the TWRG which explored structure in and around participation – be it a group, time or space. Three parallel walks, all based on the same texts, took place in three cities: Bilbao, London and Bolzano.
In English, Spanish, Italian and German.
Publication documenting the work of the WRG in 2013 and 2014.
The exhibition explores the limits of science where the absence of established facts may leave room for new theories, alternative science, and conspiracy theories.
Fact Liverpool, 10/11-5/02 2016.
This article considers a constellation of works the artist Kira O’Reilly has created in residencies in biology laboratories over the past several years.
A a set of reflections and annotations on the eponomous performance and exhibition project by preeminent British sculptor, Bruce McLean.
This portfolio of photographs presents the work of Berlin-based Hannah Hurtzig and her Mobile Academy.
This collection touches upon numerous ideological categories that appear in the encounters between East and West as a consequence of the hierarchical matrix of the western narrative.
Edited by Jaime Schwartz, The Publication follows the journey of ten collaborations, created by Co-Lab performance art program together with Savvy Contemporary Art Laboratory in Berlin.
Contributors: Jens Brockmeier, Shannon Cochrane, Márcio Carvalho, Bonaventure Soh Ndikung, Jaime Schwartz, Pauline Doutreluingne and Ioana Muntenescu, Essi Kausalainen, Alastair Maclennan, Nezaket Ekici, Kurt Johannessen, Jelili Atiku, Lan Hungh, Ieke Trinks, Jacques Van Poppel, Leena Kela, Tomasz Szrama, Juha Valkeapää, Kimmo Modig, Nathalie Bikoro, Serge Olivier Fokoua, Ruth Feukoua, Marc Patrick Tchambou, Willem Wilhelmus, Maurice Blok, Andrés Galeano, Antoni Karwowski, Márcio Carvalho, Magnus Logi Kristinsson, Stefan Riebel
Edited by Jaime Schwartz, The Publication follows the journey of ten collaborations, created by Co-Lab performance art program together with Savvy Contemporary Art Laboratory in Berlin.
Contributors: Jens Brockmeier, Shannon Cochrane, Márcio Carvalho, Bonaventure Soh Ndikung, Jaime Schwartz, Pauline Doutreluingne and Ioana Muntenescu, Essi Kausalainen, Alastair Maclennan, Nezaket Ekici, Kurt Johannessen, Jelili Atiku, Lan Hungh, Ieke Trinks, Jacques Van Poppel, Leena Kela, Tomasz Szrama, Juha Valkeapää, Kimmo Modig, Nathalie Bikoro, Serge Olivier Fokoua, Ruth Feukoua, Marc Patrick Tchambou, Willem Wilhelmus, Maurice Blok, Andrés Galeano, Antoni Karwowski, Márcio Carvalho, Magnus Logi Kristinsson, Stefan Riebel
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Collection of documents – programmes, hand-outs, notes, articles – principally on the 8th edition of Black Market International presented at Steirischer Herbst, Graz, Austria, 2007. Blackmarket gathers 100 ideas and experiences presenting the mechanism of symbolic exchange. Two folders in box
A functioning outdoor lecture theatre in a roadside refuse skip and ad hoc lecture series on the subject of what is and what is not trash.
Part of the Trashing Performance programme, 25-29th October 2011.
Documentation and Photo stills from performance at Geblasehalle.