A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.
4 mins.
Documentation of the event which featured a screening of Theatre Visionary, a documentary about Abdoh, as well as a discussion with film’s director Adam Soch and director and academic Alyson Campbell.
A book on the photography of Raymond, who documented performance art in Boston for thirty years until his untimely death in 2012.
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Eight issues of the interview zine about performance.
Includes:
1 A Medea: Requiem for a Boy, 1986 (2 files)
2 Rusty Sat on a Hill One Dawn …,1987 (2 files)
3 Eva Peron, 1987
4 King Oedipus, 1987
5 Peep Show (videos used in performances), 1988 (2 files)
6 Minamata,1989 (2 files)
7 Pasos en la Obscuridad, 1990
8 The Hip-Hop Waltz of Eurydice, 1990
9 Bogeyman, 1991
10 Train Project (un-edited video project @ L.A.T.C.), 1991
11 The Blind Owl and Making of…, 1991
12 The Law of Remains, 1992
13 Simon Boccanegra, 1992 (2 files)
14 Tight Right White, 1993
15 Quotations from a Ruined City, 1994 (2 files)
16 Memorial Service, LA and NY, 1995 (2 files)
17 Mixed Images and Projects
18 Reza Abdoh, Short Video Works
19 Interview Tapes
20 Show Tapes (videos used in performances)
21 Cast Reference Video
A critical examination of the varieties of multiculturalism and the way they structure difference.
On Kollwitz's reception in America, 1900-1960
Liquid damage on publication.
A consideration of 'new dance' in response to writings of Luce Irigaray.
An intimate portrait of the world and work of Abdoh and his company.
Carolee Schneemann in conversation with Bonnie Marranca and Claire MacDonald
Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard.
From Acker's earliest interviews–filled with playful, evasive, and counter-intuitive responses–to the last interview before her death where she reflects on the state of American literature, these interviews capture the writer at her funny and surprising best.
Theorizes the racialized structures of inequality that pervade theater and the arts.
Part of The Library of Performing Rights (P3041)
The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
Explains how Latinx political identities are tied to a long Latin American history of mestizaje—“mixedness” or “hybridity”—and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America’s infamously black–white racial regime.
Key intellectuals—inspired by the new movements and by the seminal work of the scholar Cedric J. Robinson—recall the powerful tradition of Black radicalism while defining new directions for the activists and thinkers it inspires.
What is the relationship between capitalism and mental health? Berardi embarks on an exhilarating journey through philosophy, psychoanalysis and current events, searching for the social roots of the mental malaise of our age.
Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.
In misc. folder 7.
Part of the Library of Performing Rights (P3041).
Published in association with the Baltimore Museum of Art. Exhibition catalogue. Exhibition dates / The Baltimore Museum of Art: October 7, 2018-January 6, 2019 Wexner Center for the Arts: February 2-April 28, 2019
The first book to explore the various ways the human body has been both an inspiration and a medium for artists over hundreds of thousands of years.
A professor of linguistics who specialised in underworld argot, Maurer won the trust of hundreds of swindlers. They let him in on not simply their language, but their folkwrys and the astonishingly complex and elaborate schemes whereby unsuspecting marks, hooked by their own greed and dishonesty were 'taken off' – i. e. , cheated – of thousands upon thousands of dollars.
Explicitly addresses significant issues, such as the oppression of women and Eurocentric standards of beauty, the historical rise of the idea of whiteness, and the abridgement of democracy along race, class, and gender lines.
A sweeping account of the way lesbian, gay, and bisexual people have challenged and changed society.
Combining the energy of the early seventies feminist movement with the perceptive analyses of the trained theorist, this is one of the most influential socialist feminist statements of its time.
A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists' manifesto-like events, the Dadaists' cabarets, and later “happenings” and “spectacles.”
Dissection of the “new racism,” from one of the greatest radical black intellectuals of our time.
An account of Angela Davis’s incarceration and the struggles surrounding it, but also perhaps the most comprehensive and thorough analysis of the prison system of the United State.
Brings Lorde’s essential poetry, speeches and essays, including ‘The Master’s Tools Will Never Dismantle the Master’s House’, together in one volume for the first time.
Part of the Library of Performing Rights (LPR) (P3041).
A detailed record of the years the artist spent researching professional mourning, which culminated in a performance co-commissioned by the Park Avenue Armory and Artangel.
Part of the Library of Performing Rights (LPR) (P3041).
Based on her widely praised performance piece Unicorn Gratitude Mystery, Finley’s book explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein.
Part of the Library of Performing Rights (LPR) (P3041).
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
Guides the reader through a thicket of seemingly arcane meanings of nonrepresentational art forms, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts.
Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Using interviews with friends and colleagues, and original and re-enacted footage of Sherman's performances, this film explores the life, death, disappearance and rediscovery of this unique artist.
Part of LADA Screens 5.
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
Festival publication. April-May 2013, New York City.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Images from Portal of Entry, a theatrical deconstruction of the Valley's sex industry told through the voices of prostituted women and their interviewer. Part of the thesis project Incarcerated Freedom.
Part of the Library of Performing Rights (LPR) (P3041).
25 images + artists statement
Includes production stills and performance text.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from the performance at the ASU mainstage.
Part of the Library of Performing Rights (LPR) (P3041).
11 battered women prisoners serving life for killing in self defense narrate a collective, painful story of injustice.
15 minutes.Part of the Library of Performing Rights (LPR) (P3041).
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.
Part of the Library of Performing Rights (LPR) (P3041).
The project received overwhelming worldwide attention and spawned provocative online debates; ultimately, Bilal was named Chicago Tribune's Artist of the Year. Structured in two parallel narratives, the story of Bilal's life journey and his Domestic Tension experience, Shoot an Iraqi is for anyone who seeks insight into the current conflict in Iraq and for those fascinated by interactive art technologies and the ever-expanding world of online gaming.
The monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969–1973 in which documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installation.