Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Includes a document with translations and the following performances:
1. En un fist fast
2. La caida del ser
3. Vigilia sex
4. Varios perfos expo
5. De docta ignor lombrices
6. De docta ignor desentarrarme
7. Pepafono 3 versiones
8. Ponme la mano aquí macorina
9. Sea anemone and the hermit crab
10. Embajadora de la buena voluntad
11. ¡Ah no!
12. Violence and tenderness
13. Cagandola a diestra y siniestra
14. Sweet sixteen
15. Times goes by and I can not forget you
The essays in this book – some newly written, others gathered from scattered sources – look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre.
Tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform.
After the leading organisations of radical sexual politics imploded or dissolved, the Gay Left Collective formed a research group to make sense of the changing terrain of sexuality and politics. Its goal was to formulate a rigorous Marxist analysis of sexual oppression, while linking the struggle against homophobia with a wider array of struggles, all under the banner of socialism.
A collection of essays exploring the myths of mass culture,
Two articles discussing funding patterns in early 80's
The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.
Part of the Library of Performing Rights (LPR) (P3041).
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
The author's concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor's theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.
Catalogue for the performance festival at the 2009 Biennale – PRAXIS: Art in Times of Uncertainty.
In Greek and English.
Documentation from the DIY 12 project: can you start a University of Live Art in your front room, garden shed or local pub?
Exhibition catalogue; Saatchi Gallery, 16 November – 31 December 2017.
Part of the Library of Performing Rights (LPR) (P3041).
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
Volume 1, Issue 4.
Part of the Library of Performing Rights (LPR) (P3041).
An article dissecting how arts interfere and engage with politics.
In misc folder 7.
Includes: Salavation poster and flyer, a production package, and a usb with video and photo documentation.
Part of a series of law packs intended to address questions about legal limits related to free expression and the arts.
Forward by Xenofon Kavvadias.
A revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English.
The first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years.
This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.
A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
Using Jerome Bel's Disabled Theater – a dance piece that features a company of professional disabled actors – as the basis of a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment.
Arendt provides a historical account of the forces that crystallized into totalitarianism. The ebb and flow of nineteenth-century anti-Semitism (she deemed the Dreyfus Affair a dress rehearsal for the Final Solution) and the rise of European imperialism, accompanied by the invention of racism as the only possible rationalization for it.
A critical discussion of the public sphere in the current neoliberal capitalist democracy from the perspective of performance.
Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.
an anthology of source materials for performance
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.
Interview with Artur Zmijewski by Daniel Miller
The essential introduction to the most important texts in post-colonial theory and criticism.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).