Catalogue > By Keyword > absence

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By Means of the Future

Artist/Author: Tim Etchells | Reference: A0882 | Type: Article

On Forced Entertainment, prediction, and the community of audience.

To Be or Not to Be There

Artist/Author: Angela Viora | Reference: A0829 | Type: Article

When the performer leaves the scene and makes room for the audience.

caesura

Artist/Author: Tracy Evans | Reference: D2219 | Type: DVD

An exploration of the artist's experience of giving birth under general anaesthetic.

AV documentation (no sound); 6 hours.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

Nothing Here Yet Speaks, Again

Artist/Author: Annalaura Alifuoco | Reference: P2658 | Type: Publication

Document of essay presented at the Performing Documents Conference (Arnolfini, Bristol), 12-14 April 2013, exploring how performance archives can be situated in the cultural and critical context as sets of relations eliciting the meaning and force of events lived primarily in and through the in(tra)corporeal.

Lee Lozano: Dropout Piece

Artist/Author: Sarah Lehrer-Graiwer | Reference: P2419 | ISBN: 9781846381317 | Type: Publication

Sarah Lehrer-Graiwer explores one of Lee Lozano’s most challenging and elusive works, ‘Dropout Piece’.

Laura Lima

Editor: Heike Munder and Sara Arrhenius | Reference: P2349 | ISBN: 9783037643440 | Type: Publication

Documentation of works and interview with the artist.

Null Object: Gustav Metzger thinks about nothing

Artist/Author: Gustav Metzger, Bruce Gilchrist, Jo Joelson, London Fieldworks | Reference: P2147 | ISBN: 978-1-908966-12-4 | Type: Publication

ADS

Artist/Author: Richard Maxwell, New York City Players | Reference: D1522 | Type: DVD

Chelsea programme notes:In a world consumed by identity crises and at the same time dominated by advertising, how might a humble being begin to claim back space?Director Richard Maxwell: “ADS captures and refines questions I have been thinking about for a long time. What is presence? What does absence provide? What is it about performance that I like? What is it about people that I like? ” ADS offers participants an opportunity to publicly state their beliefs with one stipulation: Be sincere.”Boundary-pushing…suggests…you can create humane, affecting works of theater without the literal presence of human beings.” – Charles Isherwood, The New York TimesConceived and directed by Richard Maxwell for New York City Players

Perfroming Idea: Performative Writing

Artist/Author: Matthew Goulish, Peggy Phelan, Lin Hixson | Reference: D1476 | Type: DVD

Performance Matters: Performing Idea – Performative Writing8th October 3.00-7.30pm (not 7th as stated on disk))Toynbee StudiosWith: Hélène Cixous (on video), Matthew Goulish, Adrian Heathfield and Peggy PhelanNew forms of writing on and around contemporary art and performance have emerged in recent years, alongside the emergence of the artist as cultural critic and curator. These forms of writing often problematize the notion of critical distance, deploying creative, dialogic and autobiographical strategies to engage with the multiple affects of the artwork. To what extent may critical thinking and writing be an art form? Speakers will examine the histories, limits and possibilities of the forms of ‘performative writing’, the dynamics of the performing idea.This session on Performative Writing will also comprise a preview of Trashing Performance, the second themed year of Performance Matters, with contributions from Oreet Ashery, Mel Brimfield, Gavin Butt, Dominic Johnson and Bird La Bird.