Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Documentation from the DIY 12 project: can you start a University of Live Art in your front room, garden shed or local pub?
Special edition of performing arts magazine Frakcija, covering the Goat Island project When Will September Roses Bloom? Last Night was Only a Comedy.
Part of the Library of Performing Rights (LPR) (P3041).
A loophole in the Postal Services Act says you can open other people's mail under certain circumstances. This is that certain circumstance.
Written by The People Show’s longest standing and original member, the publication chronicles a very other, non-mainstream way of making art, of living and breathing this art and all that it stands for, during the course of 50 years.
The book conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
A practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch.
David Williams, Geographies of Requiredness: Notes on the Dramaturg in Collaborative Devising
Begins with Samuel Beckett and considers failure in performance as a hopeful strategy.