Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
A critical examination of the varieties of multiculturalism and the way they structure difference.
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
A survey of visual art and alternative sexualities from the late nineteenth century to the present.
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
Brings together established and emerging practitioners who work with light, as material or subject.
Highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s.
Part of the Library of Performing Rights (P3041).
A collection of illustrated resources, designed to help you think about, talk about and plan a funeral celebration.
In glass cabinet.
Explains how Latinx political identities are tied to a long Latin American history of mestizaje—“mixedness” or “hybridity”—and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America’s infamously black–white racial regime.
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform.
This original and entertaining tour of life on Earth explores how many of the things once considered to be exclusively human are not: we are not the only species that communicates, makes tools, utilises fire, or has sex for reasons other than to make new versions of ourselves. Evolution has, however, allowed us to develop our culture to a level of complexity that outstrips any other observed in nature.
Each essay shares two fundamental premises. First, that the oppression of gays and lesbians is not an isolated case, and therefore their struggle is necessarily part of a larger movement for social liberation. And, second, that the experience of gays and lesbians uphold the basic tenets of a foundational Marxism, and that they are uniquely placed to contribute to a revitalisation of Marxist theory.
On the participatory performances of Robyne Latham.
A catalogue of questions about traits of our behaviour and anatomy, The same answers are possible for all members of Hominini – a tribe of apes including humans, bonobos and chimpanzees.
Collects scripts, interviews, and commentary to trace the riotous first decade of WOW.
Part of the Library of Performing Rights (LPR) (P3041).
Intended to help cultural organisations and their governing bodies meet ethical and reputational challenges with a greater sense of confidence, this report stems from a What Next? discussion about the difficult situations organisations can find themselves in when an action sparks controversy, for example, the presentation of a divisive piece of work, or a contentious sponsorship deal.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
This anti-systemic manifesto, a quiet and thoughtful polemic, is a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation (Power Point) from the DIY 13 project exploring notions of tripping and tipping points through the lens of the architect-walker.
A provocationinterested in exploring the meeting points between the obliteration of the possibility of physical motherhood (rupture of the body), a country disappearing in war (rupture of the land) and the reconstruction of the bio-political-history. Together these assert a new no-motherhood and post-motherland identity away from the exilic ruptures that define the end of the 20th and beginning of the 21st centuries in Europe.
Divided into two parts, `In the World' and `In the Room', the book presents a rounded picture of the possibilities of a `disobedient' culture and includes many games and exercises for creative practitioners.
nitially galvanized by the sweeping obliteration of architecture and art under the Communist regimes of the Soviet Union and eastern bloc countries, Gamboni investigates other instances of destroyed art and architecture around the globe, uncovering a disquieting and surprisingly widespread phenomenon.
Twenty two 3 minute shorts directed by international filmmakers to mark the 60th Anniversary of the Universal Declaration of Human Rights.
Part of the Library of Performing Rights (LPR) (P3041).
A project based on a hypotethical (hypothetical and ethical) situation (political, social, military, security, natural catastrophy …) in which the citizens of highly developed countries (mainly from the West) would be forced to leave their country and look for a temporary home in another country.
Part of the Library of Performing Rights (LPR) (P3041).
A kitsch video featuring the artist as a Mexican gunslinger arriving in Bethlehem for a duel with the Israeli Wall. Wearing a big sombrero and a scarf, the artist walks the streets of Bethlehem and greets the locals before taking off for her final showdown.
Part of the Library of Performing Rights (LPR) (P3041).
Toolkit from the network of socially progressive residential artist communities.
Part of the Library of Performing Rights (LPR) (P3041).
Publication of the third Strategic Meeting for Directors and Theatremakers, focusing on the work of professionals in Europe and the Arab world. Includes transcripts in English and Arabic.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue for the eponymous performance exhibition. The Barbican, 20 July to 13 August 2017.
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
The wuthors talk about repetition as an internal and integral structuring device in Rajni's trilogy of works, Mr Quiver (2004-6), Dinner with America (2006-8), and Glorious (2009-13), using the meandering form of walking and conversation to think through the circular, incremental and bodily processes within the performance work.
The artist investigates cultural transfer and displaced identity through installation, sculpture, video and performance, culturally stereotyping artefacts such as flagpoles, Moroccan tea glasses and India ink in her art. Exhibition catalogue.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Catalogue of the eponymous film and video-based exhibition; Moderna Museet Malmö 21/5/2016-5/3/2017
In Swedish and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.
An introduction to the major events and debated in the early years of feminist art practice. An extensive collection of articles, as well as broadsheets printed in facsimile, illustrate the history and diversity of arguably the most important intervention in modern art.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Documentary about ADM’s 17th Birthday Festival by Dasa Raimanova.
25 minutes. 2015.
Information about the company's work, including Near Gone, Landed, Manpower, A Journey of a Home, and Storyville.
The first book of its kind to look at the legacy of the avant-garde in relation to the deepening crisis of capitalist non-reproduction.
A collection of documents, presentations, propaganda pamphlets and vidioes realised by The Institute for the Art and Practice of Dissent at Home, including “Miss Julie in Utopia Propaganda Pamphlet 2106200821” (2008), “The Hazardous Family Performance Text” (2008), “Macbethmachine Pamphlet 211220101330” (2010), “Family in Transit” (2013), and a DVD video of “A Promising Family Picnic” (2009).
Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.
The magazine features a wide range of contributions from writers and artists, politicians to poets discussing the true impact that arts and culture can have on society.
Special issue on theatre and the public space. Bilingual edition in French and English.
Publication that accompanies an exhibition organized by the Institute of International Visual Arts in London, explores the representation of the veil in contemporary visual arts.