A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
Examines fandom as a set of practices for approaching and writing about art.
A glossary of terms that come up during the desperate search for meaning that comes with an Asperger’s Syndrome diagnosis. I went through it. I know other people go through it. There are plenty of books, either more clinical, or more autobiographical out there. This one cuts straight through shackles of narrative to provide discrete chunks of information in an easy to navigate, dictionary format.
A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.
Part of the Library of Performing Rights (P3041)
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
Third issue of the literary journal of sexuality and erotics. On botany and eroticism in three essays and seven poems.
How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?
Part of Library of Performing Rights (P3041).
Publication documenting the 18 months in which Ann Bean left London and settled in Newark-on-Trent, creating a different, unfamiliar life structure.
Reveals a tradition of queer environmentalism in contemporary literature and film from the Americas.
Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
The space of speculative fiction is the space that is created between lived realities and distant fantasies, that take us out of our world, so that we can occupy a new, if temporary, positionality and have an opportunity to ask from there, what if things were radically different?
The final anthology in the trilogy looking at contemporary queer lives.
a linguistic kaleidoscope of caustic cartoons, crackpot prophecies and demented erotica. a dense, poetic blend of the hallucinogenic and the hardboiled… dirty jokes, venomous poetry and tall tales that corkscrew deep into nightmares. a short story etc. collection for the depraved, the depressed and the death obsessed.
31 artists, poets, performers and writers consider the experience of loneliness.
What is joy? Is joy possible in the world today? If so, how do queer people imagine or experience it? Over 30 writers, artists and performers consider queer joy.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
A fantasy in three acts presenting nine narratives from personal to scientific on the experience of desire, shame and identification of the material queer body.
At once forensic and intimate, the biography traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody.
The essays explore the broad range of poetico-philosophical questions that have long been circulating in the Cixousian universe: the self and the other, autobiographies of writing, love's labors lost and found, sexual difference, feminism and feminine hours, the prehistory of the work of art and reading the visual arts, animal (w)rites and trans-species relations, literary theory, post-colonial theory, death and life.
Zine from the long term project led by Victoria Sin featuring artists using speculative fiction as a productive medium for intersectional queer experience.
Challenging and re-positioning the traditional exhibition catalogue as an artwork and commission in its own right, the pub;ication takes its inspiration from the classic Pedro Almodóvar film on the occasion of the group exhibition, La Movida at HOME, Manchester (14 April – 17 July 2017).
A collection exploring walking (literally and figuratively, one might say sleepwalking).
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Eight essays that examine the way narratives determine our understanding of old age and condition how the experience is lived.
Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten.
In the tradition of China Miéville, Michael Moorcock and Alasdair Gray, B. Catling's The Vorrh is literary dark fantasy which wilfully ignores boundaries, crossing over into surrealism, magic-realism, horror and steampunk.
The third issue of the French-American magazine of creation and reflexion is devoted to performance art.
Sophie Calle's project Double Game interweaves the artist's life with that of Maria, a character in Paul Auster's novel 'Leviathan', blurring the lines between reality and fiction. Second edition
William Burroughs, Brion Gysin and Throbbing Gristle talk about advanced ideas involving the social control process, creativity, and the future.
Publications featuring writings from zines such as I Heart Amy Carter, Rollerderby, Princess Charming, Easy Zine, Rockrgrl, Wrecking Ball, Pawholes and many others.
Trashing Performance event programme. In miscellaneous folder 3.
“a loose collection of texts, sequenced like a mixtape” and dedicated to visions of real freedom in the present. Includes: Moyra Davey on writer’s block, Walter Benjamin, and Jane Bowles Bruce Hainley channels Paloma Picasso to jot some notes on Margie Schnibbe and the “explicit.” Bifo on Stanley Kubrick’s Eyes’s Wide Shut, and the relation between irony and cynicism Paul Virilio on seascape, inertia, and the Zynthia cyclone Chris Kraus and Sylvère Lotringer on George Porcari’s ambient photography Shlomo Sand and Sylvère Lotringer on contemporary Israel, myth, and the invention of Zionism. Alistair McCartney on early 90s bohemia in Hyde Park, Perth, Australia. Dodie Bellamy on queer subculture and the “Goldilocks syndrome.” Veronica Gonzalez’s short story on friendship, loss, and Los Angeles Rachel Kushner’s short story that takes up pubescence, motorcycles, and Flaubert’s lewd correspondence from the Nile. Eileen Myles on Winston Leyland’s legendary 70s tabloid, Gay Sunshine.
Debut film of Turner Prize winner Gillian Wearing. Supported by Fly Film Production, Third Films,Channel 4 Britdoc Foundation, the Arts Council of England and Abandon Normal Devices. see also: P1886 Gillian Wearing exhibition catalogue
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
A book-film – text with DVD. NOTE: text is in French, DVD in both English and French.
Programme notes:‘Let's get this straight folks, Bull: The True Story was a pack of lies, a cover up, it was a performance set up to upstage the truth.' The Making of Bull: The True Story unravels mysteries…including the mysteries of why we make art and how our art makes us. It questions what's real and what's fake. Inspired by the film Fargo, which proclaims in its prologue, ‘This is a true story', Hawaii-born Makishi finally comes out and tells the whole truth as she brings forth an elliptical tale trying hard not to tell itself. Just what is she hiding? You'll have to see it to believe it. Stacy Makishi is a Chelsea Theatre Associate Artist. Preceded by a short performance by an early career artist on the bar stage. Post show Q&A with the artist. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Also see P1517 and P1518.
This Is Performance Art: Performed Sculpture and Dance 8th April 2010 – 06 June 2010 Camden Arts Centre
Dead Season Live Art, 2010, Margate, Limbo Arts.See P1496 for full Dead Season Live Art programme.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
The Commander-in-Chief and the first lady of domesticity are having an affair…
Part of the Library of Performing Rights (LPR) (P3041).