Catalogue > By Keyword > audience

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Digital Reference: EF5357 | Type: Digital File

Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.

post/performance/documentation

Artist/Author: Hellen Burrough | Reference: P4091 | Type: Publication

Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.

Kira O’Reilly: Untitled (Bodies)

Editor: Harriet Curtis and Martin Hargreaves | Reference: P3415 | ISBN: 978-1-78320-832-6 | Type: Publication

The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.

The Architect-Walker 2018: A Mis-Guide

Artist/Author: Wrights & Sites | Reference: P4079 | ISBN: 978-1911193104 | Type: Publication

Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.

Native Strategies 5: Music Issues – The Privileging and Negation of Bodies of Sound

Editor: Brian Getnick, Tanya Rubbak | Reference: P4071 | Type: Publication

The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 5: Music Issues – The Privileging and Negation of Bodies of Sound

Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5352 | Type: Digital File

The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 4: Dispersions

Editor: Brian Getnick, Tanya Rubbak | Reference: P4070 | Type: Publication

The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.

Native Strategies 4: Dispersions

Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5351 | Type: Digital File

The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.

Native Strategies 3: Rituals & Congregations

Editor: Brian Getnick, Tanya Rubbak | Reference: P4069 | Type: Publication

The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 3: Rituals & Congregations

Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5350 | Type: Digital File

The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 2: Next Steps

Editor: Brian Getnick, Tanya Rubbak | Reference: P4068 | Type: Publication

The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.

Native Strategies 2: Next Steps

Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5349 | Type: Digital File

The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.

Native Strategies 1: So Funny It Hurts

Editor: Brian Getnick, Tanya Rubbak | Reference: P4067 | Type: Publication

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 1: So Funny It Hurts

Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5348 | Type: Digital File

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

The Star of the Show: Trademark, theatricality and ‘the grandmother of performance art’

Artist/Author: Bryony White | Reference: A0881 | Type: Article

Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.

Shortlist LIVE! Issue 1

Editor: Heidi Backström | Reference: P4064 | ISBN: 9871916424371 | Type: Publication

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.

Awkwoods: Daniel Oliver’s Dyspraxic Adventures in Participatory Performance

Artist/Author: Daniel Oliver | Editor: Daniel Oliver | Reference: P4051 | ISBN: 978-1-9164243-5-7 | Type: Publication

Daniel Oliver is dyspraxic and he creates awkward participatory performance worlds.This book documents some of those worlds, as well as bringing together critical and creative responses  to them.

Not And I

Artist/Author: Reynir Hutber | Digital Reference: EF5331 | Type: Digital File

A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.

Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.

Audition Project

Artist/Author: Miss High Leg Kick, Richard DeDomenici | Digital Reference: EF5335 | Type: Digital File

Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and re­created the opening audition scene from the 1985 film 'A Chorus Line'. 

Part of LADA Screens 12. The film was available online  9 ­- 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.

The Twenty-First Century Performance Reader

Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Engaging the Audience

Artist/Author: Heather J. Denyer | Reference: A0861 | Type: Article

On Under the Radar Festival, 4-15 January 2017.

Sensual Excess: Queer Femininity and Brown Jouissance

Artist/Author: Amber Jamilla Musser | Reference: P4027 | ISBN: 9781479830954 | Type: Publication

Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.

Part of the Library of Performing Rights (P3041).

Tele Encounters: Telepresence and Migration

Editor: Marina Diana Hanganu | Reference: P4024 | Type: Publication

Publication on the artistic research platform aiming to explore family relationships within the context of migration and to contribute to the development of telepresence (technologically mediated presence) as an artistic idiom.

Part of Library of Performing Rights (P3041).

Filed Notes: The Inaugural Summer School on Cultural Diversity and Collaborative Practice

Reference: P4020 | ISBN: 9781869895099 | Type: Publication

Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).

The Bristol Art Library documentation

Artist/Author: Annabel Other | Reference: P4018 | Type: Publication

Documentation from the fully functioning public library housed in a wooden cabinet the size of a small suitcase.

None of Us is Yet a Robot: Five Performances on Gender Identity and the Politics of Transition

Artist/Author: Emma Frankland | Reference: P4014 | ISBN: 978-1786826459 | Type: Publication

Charts artist and performer Emma Frankland's gender transition against a shifting social and political landscape, while grappling with the systematic erasure of trans history.

Part of Library of Performing Rights (P3041).

From Brass Bands to Buskers: Street Music in the UK

Artist/Author: Elizabeth Bennett, George McKay | Reference: P4013 | Type: Publication

Report about the Arts and Humanities Resarch Council funded prject.

Theatre and Cancer

Artist/Author: Brian Lobel | Reference: P4002 | ISBN: 9781352006469 | Type: Publication

Explores representations of cancer in fictional worlds and autobiographical performances while also highlighting work that reimagines and reinvigorates the genre of ‘Cancer Performance’.

Part of Library of Performing Rights (P3041).

Christoph Schlingensief: Art without Borders

Editor: Tara Forrest, Anna Teresa Scheer | Reference: P4015 | ISBN: 978-1841503196 | Type: Publication

Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.

Part of Library of Performing Rights (P3041).

The Death of a Clown

Artist/Author: Tom Bland | Reference: P3992 | ISBN: 978-1-9997147-5-8 | Type: Publication

An audacious and essential take on modern life, alienation and sexuality that simultaenously estranges itself from and relates to its audience.

Queer exceptions: Solo performance in neoliberal times

Artist/Author: Stephen Greer | Reference: P3988 | ISBN: 978-1526113696 | Type: Publication

A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. 

Part of Library of Performing Rights (P3041).

SPILL festival of performance programme

Reference: P3986 | Type: Publication

SPILL programme; 25 October – 4 November, 2018, Ipswich

Earthlings: A fanzine for soil

Editor: Katherine McMahon, Hari Byles | Reference: P3983 | Type: Publication

Brings together writings and words from the project which looked through the lenses of science, ecology, and poetry, to explore the ways we relate to soil. 

Part of Library of Performing Rights (P3041).

Selected Performances

Artist/Author: Sinéad O'Donnell | Reference: D2319 | ISBN: 9780992826642 | Type: DVD

Features 32 selected videos in various different formats made from 1999 – 2017.

Part of Library of Performing Rights (P3041).

40x40x40x40

Reference: P3997 | Type: Publication

A publication documenting the first 40 years of Artsadmin.

Performing Image

Artist/Author: Isobel Harbison | Reference: P3973 | ISBN: 9780262039215 | Type: Publication

Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.

The theater and its double

Artist/Author: Antonin Artaud | Reference: P3966 | ISBN: 9780802141392 | Type: Publication

A collection of manifestos originally published in 1938, in which the artist and philosopher attacks conventional assumptions about the drama.

Photocopies of God

Artist/Author: The Sydney Front | Reference: D2312 | ISBN: 978-1-922007-34-6 | Type: DVD

Presents images of a theatre struggling to move beyond the exchange of desires, beyond even the carnal itself. The performers attempt to break the endless cycle of impersonation and to submit themselves to the supreme gaze. In the glass cabinet. 

The Pornography of Performance

Artist/Author: The Sydney Front | Reference: D2311 | ISBN: 978-1-922007-33-9 | Type: DVD

A frenzied meditation on theatrical obsession, a festive overture of histrionic suffering and flapping genitalia. In the glass cabinet. 

John Laws/Sade: a confession

Artist/Author: The Sydney Front | Reference: D2310 | ISBN: 978-1-922007-29-2 | Type: DVD

Against the background of the disembodied voice a visceral and sado-masochistic exchange between bodies makes voyeurs of its audience.  In the glass cabinet. 

Waltz

Artist/Author: The Sydney Front | Reference: D2309 | ISBN: 978-1-922007-30-8 | Type: DVD

A single row of audience members around the edge of a performance space A curtain sometimes running across it cutting the space (and the audience’s view) in two.  In glass cabinet.

Passion

Artist/Author: The Sydney Front | Reference: D2315 | ISBN: 978-1-922007-35-3 | Type: DVD

Passion takes up the theme of sacrifice that plays through all the work of the company, leading its audience into a re-enactment of the Stations of the Cross. 

In the glass cabinet. 

Performance, Ethics and Spectatorship in a Global Age

Artist/Author: Helena Grehan | Reference: P3968 | ISBN: 978-0230518018 | Type: Publication

Takes performance studies in exciting new directions, exploring the ways in which ethics can be used to understand the complex questions facing contemporary spectators.

Part of Library of Performing Rights (P3041)