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Digital Reference: EF5357

Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.

post/performance/documentation

Author: Hellen Burrough | Reference: P4091

Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.

Kira O’Reilly: Untitled (Bodies)

Reference: P3415 | ISBN: 978-1-78320-832-6

The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.

The Architect-Walker 2018: A Mis-Guide

Author: Wrights & Sites | Reference: P4079 | ISBN: 978-1911193104

Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.

Native Strategies 4: Dispersions

Reference: P4070

The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.

Native Strategies 4: Dispersions

Digital Reference: EF5351

The fourth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the artists who consider the aesthetics and play of communication, distribution of politicized actions, and working in multiple channels and platforms to be an integral part of their performance practice.

Native Strategies 3: Rituals & Congregations

Reference: P4069

The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 3: Rituals & Congregations

Digital Reference: EF5350

The third of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Native Strategies 2: Next Steps

Reference: P4068

The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.

Native Strategies 2: Next Steps

Digital Reference: EF5349

The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.

Native Strategies 1: So Funny It Hurts

Digital Reference: EF5348

The first of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.

Shortlist LIVE! Issue 1

Reference: P4064 | ISBN: 9871916424371

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.

Awkwoods: Daniel Oliver’s Dyspraxic Adventures in Participatory Performance

Author: Daniel Oliver | Reference: P4051 | ISBN: 978-1-9164243-5-7

Daniel Oliver is dyspraxic and he creates awkward participatory performance worlds.This book documents some of those worlds, as well as bringing together critical and creative responses  to them.

Not And I

Author: Reynir Hutber | Digital Reference: EF5331

A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.

Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.

Audition Project

Author: Miss High Leg Kick, Richard DeDomenici | Digital Reference: EF5335

Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and re­created the opening audition scene from the 1985 film 'A Chorus Line'. 

Part of LADA Screens 12. The film was available online  9 ­- 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.

The Twenty-First Century Performance Reader

Reference: P4028 | ISBN: 978-1138785342

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Engaging the Audience

Author: Heather J. Denyer | Reference: A0861

On Under the Radar Festival, 4-15 January 2017.

Tele Encounters: Telepresence and Migration

Reference: P4024

Publication on the artistic research platform aiming to explore family relationships within the context of migration and to contribute to the development of telepresence (technologically mediated presence) as an artistic idiom.

Part of Library of Performing Rights (P3041).

Filed Notes: The Inaugural Summer School on Cultural Diversity and Collaborative Practice

Reference: P4020 | ISBN: 9781869895099

Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).

The Bristol Art Library documentation

Author: Annabel Other | Reference: P4018

Documentation from the fully functioning public library housed in a wooden cabinet the size of a small suitcase.

None of Us is Yet a Robot: Five Performances on Gender Identity and the Politics of Transition

Author: Emma Frankland | Reference: P4014 | ISBN: 978-1786826459

Charts artist and performer Emma Frankland's gender transition against a shifting social and political landscape, while grappling with the systematic erasure of trans history.

Part of Library of Performing Rights (P3041).

Christoph Schlingensief: Art without Borders

Reference: P4015 | ISBN: 978-1841503196

Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.

Part of Library of Performing Rights (P3041).

Theatre and Cancer

Author: Brian Lobel | Reference: P4002 | ISBN: 9781352006469

Explores representations of cancer in fictional worlds and autobiographical performances while also highlighting work that reimagines and reinvigorates the genre of ‘Cancer Performance’.

Part of Library of Performing Rights (P3041).

The Death of a Clown

Author: Tom Bland | Reference: P3992 | ISBN: 978-1-9997147-5-8

An audacious and essential take on modern life, alienation and sexuality that simultaenously estranges itself from and relates to its audience.

Queer exceptions: Solo performance in neoliberal times

Author: Stephen Greer | Reference: P3988 | ISBN: 978-1526113696

A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. 

Part of Library of Performing Rights (P3041).

SPILL festival of performance programme

Reference: P3986

SPILL programme; 25 October – 4 November, 2018, Ipswich

Earthlings: A fanzine for soil

Reference: P3983

Brings together writings and words from the project which looked through the lenses of science, ecology, and poetry, to explore the ways we relate to soil. 

Part of Library of Performing Rights (P3041).

Selected Performances

Author: Sinéad O'Donnell | Reference: D2319 | ISBN: 9780992826642

Features 32 selected videos in various different formats made from 1999 – 2017.

Part of Library of Performing Rights (P3041).

Performing Image

Author: Isobel Harbison | Reference: P3973 | ISBN: 9780262039215

Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.

The theater and its double

Author: Antonin Artaud | Reference: P3966 | ISBN: 9780802141392

A collection of manifestos originally published in 1938, in which the artist and philosopher attacks conventional assumptions about the drama.

Passion

Author: The Sydney Front | Reference: D2315 | ISBN: 978-1-922007-35-3

Passion takes up the theme of sacrifice that plays through all the work of the company, leading its audience into a re-enactment of the Stations of the Cross. 

In the glass cabinet. 

First and Last Warning

Author: The Sydney Front | Reference: D2314 | ISBN: 978-1-922007-32-2

The audience is divided. Those who can afford it are escorted to their private viewing area, to be served champagne and smoked salmon throughout the show. The rest risk the edges of the performance space, clad only in black lingerie. In the glass cabinet. 

Don Juan

Author: The Sydney Front | Reference: D2313 | ISBN: 978-1-922007-31-5

The audience mingle with the performers on the performance floor, which might be a kind of soirée or Don Giovanni’s ball. In the glass cabinet. 

Photocopies of God

Author: The Sydney Front | Reference: D2312 | ISBN: 978-1-922007-34-6

Presents images of a theatre struggling to move beyond the exchange of desires, beyond even the carnal itself. The performers attempt to break the endless cycle of impersonation and to submit themselves to the supreme gaze. In the glass cabinet. 

The Pornography of Performance

Author: The Sydney Front | Reference: D2311 | ISBN: 978-1-922007-33-9

A frenzied meditation on theatrical obsession, a festive overture of histrionic suffering and flapping genitalia. In the glass cabinet. 

Performance, Ethics and Spectatorship in a Global Age

Author: Helena Grehan | Reference: P3968 | ISBN: 978-0230518018

Takes performance studies in exciting new directions, exploring the ways in which ethics can be used to understand the complex questions facing contemporary spectators.

Part of Library of Performing Rights (P3041)