Toine Horvers’ artworks in space and time, photographed by Henk Geraedts.
Text in English and Dutch
In Other Words is a collection of urgent reflections, created by 49 artists over 4 months in 2020 exploring their hopes and fears for the future at a time of global crisis. Through prose, poetry, drawing, collage and photography it is a clarion call for change from a diverse group rich in wisdom, shared experience, and what it means to be marginalised in the UK.
Part of ‘series of rituals practicing ways to dialog with the natural world’ by Fernanda Branco, MA in Performance Norwegian Theatre Academy//Østfold University College.
Booklet of the work of Andrés Galeano, Mart Stam Förderpreis 2011.
Mishandled Archive offers a way of imagining, creating and disseminating an archive.
Photographs of the work of Cécile Feilchenfeldt in collaboration with Elaine Rutishauser.
Text in German.
Kindly donated for the Swiss Live Art Study Room Guide.
A selection of artwork and text by artists Elaine Rutishauser and Klodin Erb.
In German
Kindly donated for the Swiss Live Art Study Room Guide.
A selection of photographs and images by Elaine Rutishauser.
Kindly donated for the Swiss Live Art Study Room Guide.
A monograph of the work of artist Doris Stauffer with texts by Doris Stauffer, Michael Hiltbrunner, Kay Turner, Andrea Thal, and Mara Züst.
Kindly donated for the Swiss Live Art Study Room Guide.
A monograph dedicated to the work of Lotta Gadola.
In German and English.
Kindly donated for the Swiss Live Art Study Room Guide.
Exhibition catalogue. Galerie Edition Z, Chur, 2016.
Feminist science fiction that anticipates a post-patriarchal future.
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
A presentation of over 100 new works by the renowned Belgian painter.
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
An interview with women at the forefront of art and technology.
Liquid damage on publication.
A performance by of the UK’s most ‘genuinely terrifying’ artists.
This video was part of LADA Screens, and was available online from 15 – 29 July 2015.
On Mendieta's late 70s series, in which the artist trekked into the woods and marked the outlines of her body agains the earth.
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
Exhibition catalogue. Wellcome Collection, 30 May 2019 – 26 January 2020.
Part of Library of Performing Rights (P3041).
Exhibition catalogue.
Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
Catalogue of the exhibition of Wilke's last work. January 8 – February 19, 1994, Ronald Feldman Fine Arts, New York
Brings together established and emerging practitioners who work with light, as material or subject.
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
Exhibition booklet; Leamington Spa Art Gallery & Museum, 30 November 2018 – 24 February 2019
Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.
Maps the artistic processes over a nine month period of the making of the art work Not a Decorator..
Presents Woodman’s work from his entire career, including artists’ portraits, studios, exhibitions, installations and performances, collaborations with artists, social documentation and more recent and personal works.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
Featuring rarely seen multimedia works, this book shows how Lynch applies his powerful imagination and visual language across genres. Exhibition publication: November 30, 2018–April 28, 2019, Bonnefantenmuseum.
A definitive selection of new and classic images of Jimmy, which includes the backstory of how the two became such great collaborators.
Cataloguing Pfahler's recent projects for the 2008 Whitney Biennial, the volume also features her most notorious body-art performances and pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath.
Comprehensively examines the life and art of David Wojnarowicz (1954-1992), who came to prominence in New York's East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal.
Part of the Library of Performing Rights (P3041)
A broad-ranging survey that explores and celebrates humankind’s ongoing fascination with animals. This carefully curated selection of images, chosen by an international panel of experts, delves into our shared past to tell the story of animal life.
An animal encyclopedia with a twist, which showcases more than 100 animals in close-up detail.
31 artists, poets, performers and writers consider the experience of loneliness.
The final anthology in the trilogy looking at contemporary queer lives.
Draws together revised writings alongside new journeyings from the A Year In The Country project, which has undertaken a set of year-long journeys through spectral fields; cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. It is a wandering amongst subculture that draws from the undergrowth of the land.
What is joy? Is joy possible in the world today? If so, how do queer people imagine or experience it? Over 30 writers, artists and performers consider queer joy.
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
A collection of written and visual responses to the works of British artist, Qasim Riza Shaheen. Essays, reflections and conversations, by eminent scholars, curators, artists and collaborators, consider the multiple aspects and the experience of his works.
In English and Urdu.
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
A collection of black and white photographs of the wooded area between the Fire Island communities of Cherry Grove and The Pines.
On 26 December 2003 an earthquake destroyed over 90% of one of the most ancient cities of Iran, Bam. Nearly half of the inhabitants lost their lives and the impressive citadel was turned into dust. It also destroyed the most famous photo studios located in the old parts of the city. Iranian art historian and photographer Parisa Damandan decided to pay tribute to the victims by excavating, collecting and restoring the archives of five studios, supported by the Prince Claus Fund and AIDA Nederland. She was able to save at least 30,000 negatives, all memories of life in Bam before the city was ruined.