A collection of essays on the artist Pascale Grau with dvd of Single-Channel Videos 1994-2008.
In German and English.
Kindly donated for the Swiss Live Art Study Room Guide.
On creating a short series of monologue pieces for the camera.
Exhibition catalogue. Philadelphia Institute of Contemporary Art and Virginia Museum of Fine Arts, 1992.
Includes:
The Fables of la Fontaine 5 (2007)
Walking Around Planet (2005)
Suspended Moments (2007)
Toubabou… Toubabou… (2007)
Farafin a ni Toubabou (2007)
The Small Clouds Crossing the Sky of the Soul (2007)
Publication focuses on Grau's practice, and specifically videos created between 1994-2008.
In German and English.
Revisits and resuscitates the forgotten heritage of a politicised theatre group – ‘Al Assifa’.
Part of Library of Performing Rights (P3041)
Explores how video art addresses the interplay between external reality and internal states of mind. Exhibition catalogue; Virginia Museum of Fine Arts, January – August 2002.
Festival programme, 30/4 – 5/5 2012.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
What can we do when arms manufacturers sponsor museums and some of the world's most valuable artworks are used as a fictional currency in a global futures market that has nothing to do with the works themselves? Can we distinguish between creativity and the digital white noise that bombards our everyday lives?
Publication accompanying the eponymous film.
On curating psychedelic experience.
Exhibition catalogue. Locations and dates: Project Space Plus, Lincoln, UK (1 – 27 February 2018), Peltz Gallery, London, UK (10 May – 11 June 2018), Centre de Cultura Contemporània de Barcelona (CCCB), Spain
(4 – 28 October 2018), LABS Gallery Arte Contemporanea, Bologna, Italy (22 November – 15 December 2018)
Produced to coincide with New Contemporaries' 65th anniversary, this compilation reveals the rich history of artists' moving image in New Contemporaries between 1968 and 2010.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Discusses interrelations between painting and video art. Argues that once the surface of the painting is thought of in relation to the membrane of the eye as if the painting’s surface were part of the eye itself, the painting’s surface would have to be thought of as a membrane of visible excitation that is hard to separate from vision.
Abjection builds awareness of post-porn power, which breaks away from the outdated distinction between eroticism and pornography.
Short video artist profile. Includes clips from different video and performance pieces.
A film about the future by Eva Meyer-Keller, Hanna Sybille Müller and the children who took part in the performance project Building after Catastrophes.
Publicaition in honor of the 10th anniversary of FemLink-Art.
Part of the Library of Performing Rights (LPR) (P3041).
Exhibition catalogue; Saatchi Gallery, 16 November – 31 December 2017.
Part of the Library of Performing Rights (LPR) (P3041).
Devised as part of The End Product for Collective in Edinburgh to conclude and commodify the series of LIVE Broadcasts Harrison made over the course of a year. It features Transmission: Glasgow to London (December 2010), UK Weather Report (April 2011), Personal Political Broadcast (May 2011) and Best of the Rest (November 2011).
A collection of polemical writings, assaults, comments and theoretical discussions and analysis that appeared in reaction to the eponymous video, made in Belgrade, in 2007.
In Serbian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Video performance. 3:11
Part of the Library of Performing Rights (LPR) (P3041).
A kitsch video featuring the artist as a Mexican gunslinger arriving in Bethlehem for a duel with the Israeli Wall. Wearing a big sombrero and a scarf, the artist walks the streets of Bethlehem and greets the locals before taking off for her final showdown.
Part of the Library of Performing Rights (LPR) (P3041).
Catalogue published in conjunction with the exhibition by Yongsoon Min ;13 August to 12 September 2004 at the SSamzie Space Galleries. In English and Korean.
Part of the Library of Performing Rights (LPR) (P3041).
This textual and pictorial reader is more than just documentation of an art project. It combines contributions by theorists and a photocomic created from the original project’s texts and visuals by Dejan Dragosavac Ruta to reflect on the proposition of Janez Janša’s eponymous project.
Part of the Library of Performing Rights (LPR) (P3041).
Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.
Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.
This memoir spans Abramovic's five decade career, and tells a life story that is almost as exhilarating and extraordinary as her groundbreaking performance art.
Includes: Foreign Sky, Beast of Me, Still Hear the Wound
Catalogued with a spanned DVD.
Includes: Foreign Sky, Beast of Me and Still Hear the Wound.
Catalogued with a spanned DVD.
The video juxtaposes the various form of mediation from one historical event – the 1980 student massacre – according to linear time line. The public memory of the incident is formed and moulded with mediated images and languages.
1hour 27min
Kaprow’s sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings.
A critical approach towards images of identity and femininity currently circulating in Japanese popular culture.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
A catalogue of one of the most important contemporary Roma artists: a comprehensive overview of her oeuvre and a concise insight into the complex questions of the life of ethnic minorities. In Slovenian, Roma and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This book focuses on this award-winning artist’s relationship to Europe and the Mediterranean and explores how one relates to a particular place. Published to accompany exhibitions at the Whitechapel Gallery (Sept 2015 – Jan 2016) and IMMA (Oct-Dec 2016).Part of the Study Room Guide on Live Art and Displacement (P3107).
Article on the eponymous exhibition which aims to raise awareness and purge the discrimination against Roma communities. In Hungarian and English.
In misc folder 7. Part of the Study Room Guide on Live Art and Displacement (P3107).
Book published alongside the eponymous exhibition (La BOX, Bourges); includes essays by the three authors, in English, Serbian and French.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Published as part of the eponymous exhibition at the Barbican 14 July – 4 September. Surveys the Icelandic artist's practice from his student work to today.
This item can be found in the locked glass cabinet.
The article explores the way in which humour is being used by contemporary women performance artists to state the obvious.
All issues (pilot-6) of the “international cross-artform bi-monthly”.
Exploring feminist artistic reponses to the specificity of women’s suffering in war, through the work of Sandra Johnston, nichola feldman-kiss and Rehab Nazzal.
The exhibition explores the limits of science where the absence of established facts may leave room for new theories, alternative science, and conspiracy theories.
Fact Liverpool, 10/11-5/02 2016.
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
Exhibition catalogue: The Rochester Contemporary, 30/4-23/5 2004. Includes reproductions of artwork, critical essays and fiction.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
This video for camera was made at home with the artist's one year old son: he is invited, or given reason, to interact with household, domestic, materials – in isolation and removed from some context.
12 minutes.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.