Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Contemporary Theatre Review Volume 31 Issue Number 3 August 2021
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Super 8 film was made at the Festival de l’Etrange, Vidéotheque de Paris. Produced by Homemade FIlms.
Part of LADA Screens 6.
A specially filmed conversation between Ron Athey and writer Jennifer Doyle. Filmed in LA for LADA Screens by Brittany Neimeth.
Part of LADA Screens 6.
Thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary.
Composed in the twelfth century in north-eastern Iran, this great mystical poem is among the most significant of all works of Persian literature.
Translated by Sholeh Wolpé
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.