A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Super 8 film was made at the Festival de l’Etrange, Vidéotheque de Paris. Produced by Homemade FIlms.
Part of LADA Screens 6.
A specially filmed conversation between Ron Athey and writer Jennifer Doyle. Filmed in LA for LADA Screens by Brittany Neimeth.
Part of LADA Screens 6.
Thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary.
Composed in the twelfth century in north-eastern Iran, this great mystical poem is among the most significant of all works of Persian literature.
Translated by Sholeh Wolpé
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
The first book to explore the various ways the human body has been both an inspiration and a medium for artists over hundreds of thousands of years.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Witchy femmes, queer conjurers, and magical rebels on summoning the power to resist.
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
Published to accompany a major exhibition at Tate Britain, this fully illustrated catalogue explores the history of attacks on art in Britain, from the reformation of the sixteenth century to the present day, demonstrating how religious, political, moral and aesthetic controversy can become arenas for assaults on art.
From the activist, Pussy Riot member and freedom fighter, a raw, hallucinatory, passionate account of her arrest, trial and imprisonment in a penal colony in the Urals for standing up for what she believed in.
nitially galvanized by the sweeping obliteration of architecture and art under the Communist regimes of the Soviet Union and eastern bloc countries, Gamboni investigates other instances of destroyed art and architecture around the globe, uncovering a disquieting and surprisingly widespread phenomenon.
Explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or “globalization.”
Documentation from two performances, presented at Brisbane Arts (2007) and MAJU JAYA Performance Art Festival (2007).
Part of the Library of Performing Rights (LPR) (P3041).
Links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic, religious discourse in the United States
Includes: Foreign Sky, Beast of Me and Still Hear the Wound.
Catalogued with a spanned DVD.
From Medieval guilds to today’s social networks, Sennett’s book explores the nature of co-operation, why it has become weak and how it can be strengthened.
Part of the Study Room Guide on Live Art and Kids (P3091).
The article explores the way in which humour is being used by contemporary women performance artists to state the obvious.
Includes: Salavation poster and flyer, a production package, and a usb with video and photo documentation.
A TV documentary following Howells' visit to Israel, where he performed at the Women's International Festival. With Hebrew and Russian subtitles.
42 minutes.
This publication sets out to make Mendieta's figure more public in order to secure her rightful place in the chronicle of contemporary art.
This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5194.
A TV documentary following Howells' visit to Israel, where he performed at the Women's International Festival. With Hebrew and Russian subtitles.
42 minutes.
This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5195.
One-to-one performance, situated within a garden designed by Scottish artist Minty Donald.
2009.
46 minutes
Taking Dublin and Chicago as two contemporary urban sites for exploration, The MA in Socially Engaged Art (Further, Adult and Community Education) at the National College of Art and Design (Dublin) have partnered with Stockyard Institute (Chicago) to explore the physical, geographic and social fabric of the two cities.
As part of Index on Censorship’s work on art and offence, Index has published a series of law packs intended to address questions about legal limits related to free expression and the arts. Printed paper.
This dialogue between the two artists includes a discussion around the issues and concerns of contemporary Performance Art as well as an in-depth focus on the work of Ron Athey, past and present, with additional notes by Lisa Newman.
Ron Athey contributes to the fourth installment of the Walker Art Center Artist Op-Eds series. Examining the thinking of artists as citizens and change-makers, this series of commissioned opinion pieces features provocative reactions to the headlines.
Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.
Video recording of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.
Publication that accompanies an exhibition organized by the Institute of International Visual Arts in London, explores the representation of the veil in contemporary visual arts.
A collection of essays on the installation and performance work of Cuban artist Tania Bruguera. Contributors: Domenico Scudero, Lucrezia Cippitelli, Irma Arestizabal, Roberto Pinto, Simonetta Lux
Trans Bodies, Trans Selves is a revolutionary resource-a comprehensive, reader-friendly guide for transgender people, with each chapter written by transgender or genderqueer authors
Vol. 33 2014, shelved in publications.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
DVD including excerpts from four performances: 14 UnNatural Acts; Mapa Corpo, Temple of Confessions, El Naftazteca: Cyber Aztec TV for 2000 A.D. Includes document with descriptions.
Videos from 2004 and 1996.
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.
Selected Works of Poysha Kakil, featuring the documentary film Knitting Iron.
Takes the khusra communities of Lahore, the artist, his mother and the spectators into a space where gender is negotiable.
Published on the occasion of the exhibition Nine Acts of Reciprocity at Gallery Oldham, 15 May-11 July 2010, co-commissioned by Queer Up North
Can be found in the miscellaneous articles folder 3. See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.
CIRCA (Contemporary Visual Culture in Ireland) See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.