Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.
4 mins.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Feminist science fiction that anticipates a post-patriarchal future.
A heady brew of feminist critique of the art world and extreme body horror.
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
A document showing ways to prevent sexual violence and support survivors of sexual abuse.
Reflections, stories, experiences, critiques, and ideas on community and collective response to sexual violence, abuse, and accountability.
Zine on rape culture in the anarchist milieu.
The second issue of the ADHD artist zine.
The first issue of the ADHD artist zine.
Fourth edition of the journal of sexuality and erotics.
Publication made as part of a choreographic work investigating the relationship between theoretical, aesthetic and performing aspects of an artistic work. Includes two essays: ÆØÅ and Pointing back.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
Seminal but rarely seen performance, recorded at Club Lingerie in Los Angeles, California, 1984.The folder also includes a short promotional video.
Part of LADA Screens 8. The film was availble online between 29 March – 11 April 2016 on the LADA Screens Channel.
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
An interview with women at the forefront of art and technology.
Liquid damage on publication.
On Mendieta's late 70s series, in which the artist trekked into the woods and marked the outlines of her body agains the earth.
A consideration of 'new dance' in response to writings of Luce Irigaray.
Includes:
Moon River (and project description), 2018/2019, 10:47
Nest: Inhabit (and project description), 2019, with Samantha Sweeting, 11:42
The Empty Station (and project description), 2017, with Chris Spencer-Lowe, 5:58
An interview with The Guerrilla Girls. Liquid damage on publication.
Part of The Library of Performing Rights (P3041).
On female photographers who photograph men.
Liquid damage on publication.
A collection of secret stories exploring sexuality, vulnerability and desire, taken from interviews with butches, masculine women and gender rebels living worldwide.
Part of the Library of Performing Rights (P3041)
On Harbourfront Centre 2014 World Stage Festival, Toronto.
Interview with Mary Paterson and Deborah Pearson about their DIY project.
A typeface narrative revolving around an I, a pair of ravenous eyes, a mouth, and a peptic ulcer called O.
A graphic novel adaptation of the performance Splat! by The Famous.
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.
Asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Publication documenting the 18 months in which Ann Bean left London and settled in Newark-on-Trent, creating a different, unfamiliar life structure.
Carolee Schneemann in conversation with Bonnie Marranca and Claire MacDonald
Exhibition catalogue. Wellcome Collection, 30 May 2019 – 26 January 2020.
Part of Library of Performing Rights (P3041).
How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?
Part of Library of Performing Rights (P3041).
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
In order to become ethically acceptable, surrogacy must change beyond recognition—but we need more surrogacy, not less!
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).
Issue 4 featuring: Emma-cecilia Ajanki, Channing Tatum, Figs In Wigs, Igor & Moreno, Rowland Hill, Rukeya, Samir Kennedy, Theo Clinkard, Leah Marojevic, Trajal Harell, Ultimate Dancer, Robbie Thomson, Augusto Corrieri, Rowland Hill, Marica Innocente, Maartje Nevejan
Features 32 selected videos in various different formats made from 1999 – 2017.
Part of Library of Performing Rights (P3041).
Includes a document with translations and the following performances:
1. En un fist fast
2. La caida del ser
3. Vigilia sex
4. Varios perfos expo
5. De docta ignor lombrices
6. De docta ignor desentarrarme
7. Pepafono 3 versiones
8. Ponme la mano aquí macorina
9. Sea anemone and the hermit crab
10. Embajadora de la buena voluntad
11. ¡Ah no!
12. Violence and tenderness
13. Cagandola a diestra y siniestra
14. Sweet sixteen
15. Times goes by and I can not forget you
Exhibition catalogue. Installation concerned with the voice of the individual victim in war.
Part of Library of Performing Rights (P3041)
Catalogue published in conjunction with an exhibition at the Art Gallery of York University, September 6 – October 1, 1989.
Exhibition catalogue. 12/11 – 4/12 1987. In German.