Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.
Part of the Library of Performing Rights (P3041).
Exhibition catalogue. Attenborough Arts Centre, 10th May – 14th July 2019.
Part of the Library of Performing Rights (P3041)
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.
Part of the Library of Performing Rights (LPR) (P3041).
Playing cards made as part of Speaker's Corner.
Published at the same time as a video of the same name, this is a unique record of these theatre groups in action. Based on the author’s own travels and experiences working with community theatre groups in six very different countries, this is the first study of their work and the methodological traditions which have developed around the world.
Part of the Library of Performing Rights (LPR).
Programme for the installation project by artist Fran Cottell and architect Marianne Mueller, reflecting on the Rootstein Hopkins Parade Ground as the dream site for Jeremy Bentham's experimental panopticon, the real Millbank Penitentiary, a military parade ground and now university campus, outdoor gallery and thoroughfare to Tate Britain.
Explores the processes through which specific populations are figured as ‘revolting’ as well as the practices through which these populations ‘revolt’ against their subjectification.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
Explores the issue of borders and border crossing in the era of globalization and transnationalism, analyzing how the nation-state system regulates movements of people.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This unconventional documentary of Favela children–using pictures taken by the children themselves–organises representation around the theme of football and community.
In English and Portuguese.
Since 1995 this independent project has offered ‘street children’ the chance to express themselves through photography, writing and interviews. This publication contains examples of the work created.
The programme to Inxclusion 24 hour Lve Art Occupation, 2012.
Beatrice Pepper Velloso, visual artist and professor at the School of Fine Arts, Federal University of Rio de Janeiro. Language: Portuguese
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
Video documentation of NRLA (National Review of Live Art) 2008.
An audio-visual installation in a car. Video documentation of NRLA (National Review of Live Art) 2008; 6-10 Feb 2008.
Video documentation of a debate exploring the ways in which artists can create new work with individuals and groups understood to be socially excluded and vulnerable.
Part of Sacred Season at the Chelsae Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132).
A conversation in which the politics of exclusion in the international art world and its visible and invisible cartographies are discussed. Find article in misc. folder 1.
Book about the erasure of tens of thousands of people from the register of permanent residents, which took place after Slovenia gained independence.
Part of the Library of Performing Rights (LPR) (P3041).