Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?

Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.

Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.

In the oversize cabinet.

The second volume of the landmark trilogy consent not to be a single being.

Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.

Drawing together communiques, covert interviews and underground histories of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people. 

Signed copy.

Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.

Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.

Part of the Library of Performing Rights (P3041).

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.

From a god-fearing Muslim boy enraptured with their mother, to a vocal, queer drag queen estranged from their family, this is a heart-breaking and hilarious memoir about the author’s fight to be true to themself.

Part of the Library of Performing Rights (P3041).

15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.

Part of the Library of Performing Rights (P3041).

Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.

Part of the Library of Performing Rights (P3041).

A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc. 

Audio recording from the informal event which included a practical session of creating ‘access and equality riders’ for artists and audiences. LADA, 26 June 2018. 2 audio files.

Documentary bout queer live art on tour across the UK .

The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.

A critical examination of the varieties of multiculturalism and the way they structure difference.

On the work of Jefferson Pinder.

Documents the lives of 23 white women in interracial relationships with African and Afro-Caribbean men from the 1940s to 2000. Each women's story is told in their own voice or by their children.

Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.

Part of the Library of Performing Rights (P3041).

The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.

Part of the Library of Performing Rights (P3041)

Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.

Part of the Library of Performing Rights (P3041)
 

A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.

Thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary. 

A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.

Part of Library of Performing Rights (P3041).

Explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories. 

A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.

How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?

Part of Library of Performing Rights (P3041).

Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.

Engages the virtually invisible subject of older women in western culture. 

Part of Library of Performing Rights (P3041)

Includes: 
The  Fables of la Fontaine 5 (2007)
Walking Around Planet (2005)
Suspended Moments (2007)
Toubabou… Toubabou… (2007)
Farafin a ni Toubabou (2007)
The Small Clouds Crossing the Sky of the Soul (2007)
 

Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.

Part of Library of Performing Rights (P3041)

Examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. 

Acknowledging that the future of humankind is global, this volume explores the multi-faceted semantics of ecology in contemporary Indigenous theater and performance. 

Part of the Library of Performing Rights (P3041).

Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.

A collection of poetry, ramblings, rants and images by artists who suffer with some form of depression and or anxiety

Ruminates on the significance of physical and mental roaming for black freedom. 

Part of the Library of Performing Rights (P3041).

Deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’” (Claudia Rankine).

Bringing together the voices of dance-artists, scholars, teachers and choreographers, the book looks at a range of performing arts from dancehall to ballet, providing valuable insights into dance theory, performance, pedagogy, identity and culture. 

Part of the Library of Performing Rights (P3041).

Tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. 

Part of the Library of Performing Rights (P3041).

A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc. 

Theorizes the racialized structures of inequality that pervade theater and the arts.

Part of The Library of Performing Rights (P3041)

The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.

Draws on recent debates about sexuality, race, and affect to examine how matter that is considered insensate, immobile, or deathly animates cultural lives.

An exploration of what it means to be fabulous—and why eccentric style, fashion, and creativity are more political than ever. 

Explains how Latinx political identities are tied to a long Latin American history of mestizaje—“mixedness” or “hybridity”—and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America’s infamously black–white racial regime.

Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.