An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography’s mutual preoccupation with posing, staging, framing, and stillness.
Catalogue for the Kunstsammlungen Chemnitz exhibition Andy Warhol: Death and Disaster, curated by Heiner Bastian. November 2014 – February 2015.
From 1972-1991, Eleanor Antin created multiple personae of different genders, races, professions, historical contexts and geographical locations. This book, issued in conjunction with a 2013 exhibition at the Miriam and Ira D. Wallach Art Gallery, explores these works
A detailed study of the role women artists played in the develpment and expansion of performance art
Documenting Alain Arias-Misson’s ‘public poem’ projects over the last 45 years. With an essay by Roger D’Hondt
Richard Ashrowan considers the geopoetics of the Anglo/Scots borderline, travelling to several points on the border and beginning a meditation into the meanings that might be revealed within its landscape
A collection of essays on the installation and performance work of Cuban artist Tania Bruguera. Contributors: Domenico Scudero, Lucrezia Cippitelli, Irma Arestizabal, Roberto Pinto, Simonetta Lux
Catalogue of Alice Anderson's 'From Dance to Sculpture' exhibition.
Extensive documentation of Ai Weiwei's project 'Fairytale' where the artist invited 1001 participants to live their own Fairytale for 28 days.
Catalogue of the exhibition September 30-December 10 2010 curated by Pilar Topkins Rivas
Brings together documentation and text on many of Schneemann's performance works.
This collection features all 51 images from performance artist Eleanor Antin's epic visual narrative. Introduction by Henry Sayre
Sophie Calle’s project Double Game interweaves the artist’s life with that of Maria, a character in Paul Auster’s novel ‘Leviathan’, blurring the lines between reality and fiction. Second edition
The Black Cone documents a 2012 performance by Spanish artist Santiago Sierra (born 1966), that resulted in a six-foot-high monolith in front of the Icelandic parliament, commemorating the third anniversary of the protests that followed the country’s economic crash.
Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser
Regina Jose Galindo dencounces violence women and, more generally, the social, political and cultural violence of contemporary society.
Catalogue from the 'Outbound: Passages from the 90s' exhibition at Contemporary Arts Museum, Houston, March 4 – May 7 2000, exploring contemporary art at the turn of the millennium
A comprehensive mid-career retrospective of Acconci's work
Surveys the evolving and diverse nature of nightlife in New York profiling over 30 artists
Extensive documentation of two video installation pieces by Paul McCarthy, Piccadilly Circus and Bunker Basement, with essays by Ralph Rogoff and Robert Storr
Graphically illustrates a broad spectrum of physical experiences: bondage, sensory deprivation, tattooing, piercing, fetishes, body rituals and modifications from 1948 to 2002. Introduction by Mark Thompson
Brings together the action art and performances of the Belgian artist from the 70s to the present: drawings, thinking models, collages, films, photos and other documentation.
Accompanies the 2014 retrospective of Vlasta Delimar’s work at The Museum of Contemporary Art, Zagreb.
This monograph includes both extensive visual documentation from throughout Vito Acconci's career and a wide selection of his writings.
How 1960s African American artists and many of their sympathetic peers addressed the struggle for racial justice in powerful works of art is examined across a pivotal decade.
An overview of Mendieta’s work published to accompany Galerie Lelong’s exhibition 8 September – 8 October 2011. Photographs, film stills, critical texts and interviews.
Comprehensive overview of the life and work of Bruce Nauman.
Charts the rise of London’s club scene from Punk in the late 1970s to the New Romantics in the 1980s.
Published to accompany the first comprehensive overview of Jonathan Meese’s work in Germany at the Deichtorhallen, Hamburg in 2006, the exhibition featured 150 paintings, sculptures, photographic works and installations.
Created in collaboration with Pussy Riot, this book links together the events leading up to and after the group’s arrest and the themes they fight for – feminism, LGBTQ rights, freedom of speech and the environment.
Texts, documents, illustrations, photographs and commentaries regarding TOPY, the most influential magikal commune of the 80s and 90s. Contributors: Carl Abrahamsson, Jason Louv, Malik, Coyote 37, Jean-Pierre Turmel, Chloe, Hilmar orn Himarsson, The Abominable TV Snowman, Eden 211, Eden, Andi Brechen, sexuality, sex, Coyote Two, Simon Woodgate, Jay Kinney, Brother Words, Lady Jaye Breyer P-Orridge, Desmond Hill
A historical introduction to the life and art of Joseph Beuys.
An overview of Yingmei Duan's performance and installation work since 1995.
The Visual Force is the sixth instalment in the series Collective Histories of Northern Irish Art. Taking Joseph Beuys’ visit to Belfast, in 1974, as a starting point, Sverakova’s exhibition looks at the works of artists across three generations, whose works were in some way landmarks in their field. Featured artists: John Aiken; Vivien Burnside; John Carson; Brian Connolly; Martina Corry; Lynne Davies-Jones; Ciara Finnegan; Adrian Hall; Tony Hill; Ronnie Hughes; Steve Hurst; Sharon Kelly; Fiona Larkin; Alistair MacLennan; Paddy McCann; Moira McIver; Peter Richards; Dan Shipsides; Theo Sims; Una Walker and Charles Walsh.
Documentation of The Subjectivity and Feminisms Research Group’s Performance Dinners, in which artists and academics are invited to ‘perform’ their response to the evening’s theme, addressing the relationship between subjectivity and the artwork, particularly in regard to feminist theories. Contributors: Mo Throp, Maria Walsh, Verina Gfader, Georgina Starr, Kate Smith, Leda Papaconstantinou, Monika Oechsler, Katherine Meynell, Despina Meimaroglou, Rebecca Fortnum, Sutapa Biswas, Laura Malacart, Catherine Maffioletti, Claire MacDonald, Dominika Kieruzel, Susan Kelly, Rebecca Hallifax, Lucy Gunning, Fran Cottell, Brian Dawn Chalkley, Jo Bruton, Katie Baker, Gill Addison, Claudia Kappenberg, Celestin Edwards, Maria Walsh, Sarah Tremlett, Ana Laura Lopez de la Torres, Sissu Tarka, Sarah Smith, Lucy Reynolds, Anita Ponton, Susannah Pal, Jo Mitchell, Catherine Maffioletti, Claire Walsh, Marcia Farquhar, Sharon Bennett, Oreet Ashery, Yolande Burgin, Rose Cronin, Elisha Foust, Oriana Fox, Dominika Kieruzel, Elena Loizidou, Kristen Lovelock, Caroline Smith
Series of photographic postcards documenting performances from the hitparaden International Festival for Performancekunst, Pumpehuset, Copenhagen, 16-19 May 2013.
A collection of vibrant photographs by Oggy Yordanov, revealing the outrageous fashion of London's pulsating club scene in the 21st century.
Based on the work of Timothy Carey, Dead Flowers features new scholarship on this actor and filmmaker’s cultural contributions through the lens of contemporary art. Contributors: Charles Atlas, Alvin Baltrop, Genesis Breyer P-Orridge, Johanna Constantine, Marti Domination, Scott Ewalt, Georg Gatsas, Brandon Olson, Kembra Pfahler, Cynthia Plaster Caster, Tabboo!, Paul Thek, Stephen Arnold, Vaginal Davis, G.B Jones, Andrew Meyer, Edward Owens, Luther Price, Tom Rubnitz, Werner Schroeter, Suzie Silver, Johanna Fateman, Andrew Suggs, Randall Wilcox, Douglas Crimp, Gary Indiana, Romeo Carey, Vassily Bourikas, Antony, Max G. Morton, Doug McClemont, Alexandra Blattler, Bruce LaBruce, Michael Vannoy Adams, Elisabeth Kley, Eileen Myles, Ed Halter, Lia Gangitano.
Documentation from the ‘MY EARTH STAGLINEC’ International meeting of artists in memory of ‘Antonio G. Lauer’, showcasing performance art work from around Asia. Croatia, 2013. Curated by Sinead O’Donnell. Contributors: Sinead O’ Donnell, Suzana Marjanic, Akiko Sato, Chumpon Apisuk, Chuyia Chia, Lee Wen, Makoto Maruyama, Miyako Narita, Vasan Sitthiket, Vichukorn Tangpaiboon, Tzu-chi-Yeh, Watan Wuma.
The first in-depth study of this enigmatic conceptual artist, Bas Jan Ader is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death
Nothing In My Pockets is a sound diary, concieved for the Atelier de Creation Radiophonique de France Culture, kept between July and October 2003. An intimate journey into the artist's personal universe. 2 CD's are presented with previously unpublished visual and text documentation.
DVD contains archive footage and photographs, English subtitles, booklet included. This item can be found in the locked glass cabinet.