Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Feminist science fiction that anticipates a post-patriarchal future.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Eight issues of the interview zine about performance.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
Documentation from the exhibition at the Cambridge Darkroom, 1990.
Made and published on the occasion of Artsadmin's 40th birthday.
The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.
Part of the Library of Performing Rights (P3041)
Exhibition Catalogue. Cambridge Darkroom, 1993.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the third issue, the topic is ‘refuge’.
Part of the Library of Performing Rights (P3041)
Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.
Part of the Library of Performing Rights (P3041).
Public installations designed to construct interactions between humans and arthropods such as moths, beetles, caddisflies, ants and lacewings.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
Exhibition catalogue. Philadelphia Institute of Contemporary Art and Virginia Museum of Fine Arts, 1992.
Catalogue which accompanies films exploring the social, political and psychological dimensions of women's experience in contemporary Islamic societies.
Part of Library of Performing Rights (P3041)
First catalogue of work by London based artist Stefan Gec.
Provides a survey of the work of Christo and his wife, Jeanne-Claude, who specialize in creating art on a monumental scale.
Exhibition catalogue. 12/11 – 4/12 1987. In German.
Offers a richly detailed portrait of the internationally renowned composer, performer, director, and filmmaker.
Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
Revisits and resuscitates the forgotten heritage of a politicised theatre group – ‘Al Assifa’.
Part of Library of Performing Rights (P3041)
Interview with Ulay.
Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
Exhibition catalogue, 08 September – 03 November 2018, John Hansard Gallery.
Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.
Featuring rarely seen multimedia works, this book shows how Lynch applies his powerful imagination and visual language across genres. Exhibition publication: November 30, 2018–April 28, 2019, Bonnefantenmuseum.
Cataloguing Pfahler's recent projects for the 2008 Whitney Biennial, the volume also features her most notorious body-art performances and pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath.
Comprehensively examines the life and art of David Wojnarowicz (1954-1992), who came to prominence in New York's East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal.
Part of the Library of Performing Rights (P3041)
Four books published as part of STRONG LANGUAGE, published by Tim Etchells:
M John Harrison: Real Dreams
Courttia Newland: That Small Death
Joolz Denby: Dandelion
Selina Thompson: 12 Race Card Answers
A collection of writings which describe in words the mercurial and ephemeral light as it changes across a day, across seasons, and across a year.
Using a series of exercises and increasingly in depth ‘trips’, the book sets out clear and concise steps to enable individuals and groups to access their imagination and unconscious reason, to work on behalf of others. Using a series of exercises such as ‘Becoming a Bat’, ‘Crawling’, ‘Draw a Sound’ and ‘Impersonating a Human’, Marcus Coates has developed his own practical techniques to solve problems that we might otherwise remain dumbfounded by.
In the glass cabinet.
Complete archive of Tsitsopoulos' “Is Art Lonely?” project, including artist CV; video of performance at LADA; curatorial texts; drawings; Is Art Lonely? (video), video and photo documentation.
In glass cabinet.
An anthology of Edward’s creative practice-led projects. Through the innovative practice of 'mesearch', in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Taking her starting point in sources such as the letters of Kierkegaard, Saxo's chronicles of Danish history, and the observations of Tycho Brahe, Abramović has created an immersive total installation that includes a range of rituals, an audio system and specially designed shelves for people.
The Royal Danish Library, Copenhagen, 21 June 2017 – 21 March 2020.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
Examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums.
Includes:
-Corridors, Stairways & Corners
-A Lexicon ofLabour Movements
-The Italic I (Tacturiency)
Generously donated to LADA's Study Room by Clare Thornton.
In the glass cabinet.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
Catalogue of an exhibition of artwork commissioned for particularly notable and challenging sites throughout Britain & Northern Ireland.
Documents the crisis in American urban housing policies and portrays how artists have fought against government neglect, shortsighted housing policies and unfettered real estate speculation.
Part of the Library of Performing Rights (LPR) (P3041).
Playing cards made as part of Speaker's Corner.
Exhibition catalogue; 19-27 October 1991, le Fresnoy, France.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.